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Offline wellington1869

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post your instrument
« on: Tue, 20 July 2010, 13:28:06 »
whats your favorite instrument other than your keyboard?
pics or it doesnt exist.

and keep your pants on.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline JBert

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« Reply #1 on: Tue, 20 July 2010, 13:30:33 »
My keyboard - really!
IBM Model F XT + Soarer's USB Converter || Cherry G80-3000/Clears

The storage list:
IBM Model F AT || Cherry G80-3000/Blues || Compaq MX11800 (Cherry brown, bizarre layout) || IBM KB-8923 (model M-style RD) || G81-3010 Hxx || BTC 5100C || G81-3000 Sxx || Atari keyboard (?)


Currently ignored by: nobody?

Disclaimer: we don\'t help you save money on [strike]keyboards[/strike] hardware, rather we make you feel less bad about your expense.
[/SIZE]

Offline wellington1869

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« Reply #2 on: Tue, 20 July 2010, 13:32:04 »
Quote from: JBert;204560
My keyboard - really!


lol, [strike]you must have other favorite instruments[/strike] eventually clicked on the link, yea sweet keyboard! I find people who are picky about (typing) keyboards are generally picky about other tools/hobbies too.
« Last Edit: Tue, 20 July 2010, 16:13:03 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline whininggit

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« Reply #3 on: Tue, 20 July 2010, 13:46:28 »
These photos aren't of mine, but they're the same models.

Got this in 1995 - Technics sx-KN3000.


This in 1998 (but in brown, not black) - Technics sx-PR602. Needs the amplifier repairing at the moment, so I can only play with headphones.


I don't know which is my favourite. The piano does everything that the keyboard does, but has weighted keys, but then it's not as portable...
« Last Edit: Tue, 20 July 2010, 13:52:31 by whininggit »
Cherry G80-3000LSCGB-2 (modded to Cherry MX Browns) (main) | Cherry G84-4100 (Cherry ML) | Compaq MX-11800 (modded to Cherry MX Blue) | Dell AT101W (Alps Black) | IBM Model M 1391406 (Buckling Spring) | Matias Tactile Pro (1.0) (Alps) | SGI AT-101 (Alps w/Dampers) | Black Alpsulator (XM Alps-type)

Offline didjamatic

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« Reply #4 on: Tue, 20 July 2010, 13:50:37 »
« Last Edit: Tue, 20 July 2010, 13:56:16 by didjamatic »
IBM F :: IBM M :: Northgate :: Cherry G80 :: Realforce :: DAS 4

Offline JBert

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« Reply #5 on: Tue, 20 July 2010, 14:01:43 »
Quote from: wellington1869;204563
lol, you must have other favorite instruments. I find people who are picky about keyboards are generally picky about other tools/hobbies too.
Did you check the link?

I've still got a "classic" guitar which I've inherited from my dad, but I never play on it though.
Unlike an acoustic guitar, it has 3 nylon strings and needs more force on the strings because the distance between frets and strings is somewhat wider.
IBM Model F XT + Soarer's USB Converter || Cherry G80-3000/Clears

The storage list:
IBM Model F AT || Cherry G80-3000/Blues || Compaq MX11800 (Cherry brown, bizarre layout) || IBM KB-8923 (model M-style RD) || G81-3010 Hxx || BTC 5100C || G81-3000 Sxx || Atari keyboard (?)


Currently ignored by: nobody?

Disclaimer: we don\'t help you save money on [strike]keyboards[/strike] hardware, rather we make you feel less bad about your expense.
[/SIZE]

Offline itlnstln

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« Reply #6 on: Tue, 20 July 2010, 14:24:40 »
I was going to post pics of my meat whistle/skin flute, but the GH server wouldn't hold pics that large.


Offline InSanCen

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« Reply #7 on: Tue, 20 July 2010, 14:42:04 »
A lot are in storage at the moment, but when they are back, I never pass up the opportunity to A) take pictures and B) post Synth Porn!

My mainstays:-

Yamaha DX7... the sounds are meh... but I adore the keyfeel on this.
Yamaha CS1X... This is the other way around. Sounds are good, build quality is... plasticky. I should have pictures in the next couple of weeks. They are on loan at the moment.

Other synths, in storage ATM.
Nord Lead.
Korg Trinity
Korg Prophecy
Korg 05/RW

And I want a TI Virus.

Quote from: itlnstln;204591
I was going to post pics of my meat whistle/skin flute, but the GH server wouldn't hold pics that large.

Bwhahahaha....

Pink Oboe?
Currently Using :- IBM M13 1996, Black :
Currently Own :- 1391406 1989 & 1990 : AT Model F 1985 : Boscom 122 (Black) : G80-3000 : G80-1800 (x2) : Wang 724 : G81-8000LPBGB (Card Reader, MY) : Unitek : AT102W : TVS Gold :
Project\'s :- Wang 724 Pink-->White Clicky : USB Model M : IBM LPFK :
Pointing stuff :- Logitech MX-518 : I-One Lynx R-15 Trackball : M13 Nipple : Microsoft Basic Optical\'s
:

Offline ch_123

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« Reply #8 on: Tue, 20 July 2010, 14:45:10 »
Itlnstln has demonstrated an important property of the intertubes - if a crude joke comes to mind, don't bother saying it. Someone else inevitably will say it for you.

Offline noctua

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« Reply #9 on: Tue, 20 July 2010, 14:58:52 »
After Korg M1, Korg N364 i have the Korg Triton current at home, apart from my office..

Selfmade Keyboard I (done)
DT225 CH Trackball

Selfmade Keyboard II (95% completed)
L-Trac CST2545W-RC Trackball

both use Cherry MX Blue switches, an Teensy++ controller and have an Colemak layout

Offline itlnstln

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« Reply #10 on: Tue, 20 July 2010, 15:02:27 »
Quote from: InSanCen;204594

Bwhahahaha....

Pink Oboe?


No.  Bologna Bassoon.


Offline itlnstln

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« Reply #11 on: Tue, 20 July 2010, 15:04:14 »
Quote from: ch_123;204596
Itlnstln has demonstrated an important property of the intertubes - if a crude joke comes to mind, don't bother saying it. Someone else inevitably will say it for you.

You can always count on me.  A veritable stalwart of crudeness and indecency.


Offline wellington1869

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« Reply #12 on: Tue, 20 July 2010, 15:52:03 »
Quote from: didjamatic;204569
Stix Didjeridoo/Didgeridoo
Show Image


lol, never mind. I thought it was a humungous rain stick.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

and here's how youre supposed to play it? ;)
hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]


wow, a didjeridoo. so do you actually play that thing?  And is that why you're 'didjamatic'?
« Last Edit: Tue, 20 July 2010, 16:03:06 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #13 on: Tue, 20 July 2010, 15:59:07 »
Quote from: noctua;204601
After Korg M1, Korg N364 i have the Korg Triton current at home, apart from my office..

Show Image


sweet. I just bought a midi keyboard, a nice one, for dirt cheap on craigslist. Why did i buy one? I cant play the piano, or any kind of keyboard. Well... for some reason I think its "good to have". lol.  I'll post a pic. yea taking lessons (or teaching myself eventually) is on my things to do list.  Would love to play me some blues piano. Also since its midi I can map some drums and **** on to it if I need that for a quick recording.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #14 on: Tue, 20 July 2010, 16:02:07 »
this is my main baby, as posted elsewhere,



I actually sold my les paul to get this cheap-o gibson melody maker, but omg i love it so. First off its best feature is that its 5 lbs. And that doesnt effect its sound negatively at all, lots of warmth and sustain, and the stock pickups are really good, a kind of gritty-blues sound. Turn up the distortion and it rages against authority, dial it back and it twangs sadly about the girl it lost. So its got my whole musical range covered ;)

My latest baby though is actually my wilson prostaff tennis racquet (itln will be happy to know I'm up and about actually playing a sport). Bought it in 1993 for $200, and played a *lot* until about 1997, when I packed it away for grad school. I just dusted it off this summer after a 13 year absence from the sport and it feels really good to be out on a court again. The racquet has aged so well, really holds up even compared to contemporary racquets. (amazingly its also still being sold in stores).  I love the thing to death, its perfect for me. Pic to follow, natch.
« Last Edit: Tue, 20 July 2010, 16:19:09 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #15 on: Tue, 20 July 2010, 16:06:29 »
Quote from: whininggit;204567
This in 1998 (but in brown, not black) - Technics sx-PR602. Needs the amplifier repairing at the moment, so I can only play with headphones.
Show Image


I don't know which is my favourite. The piano does everything that the keyboard does, but has weighted keys, but then it's not as portable...


sweetness. love that piano. but yea, portability is nice. they're doing amazing things with instruments these days. I'm a tube amp guy but i really like the digital amp models on my zoom g1 headphone amp. Really decent.

I'm also looking at either an zoom H2 or a Q3 for quick-n-dirty recordings. (It could double as a really good keyboard-keyswitch-sound-recorder for gh reviews).  Also the korg sound-on-sound multi-track recorder looks really convenient.
« Last Edit: Tue, 20 July 2010, 16:11:25 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #16 on: Tue, 20 July 2010, 16:13:49 »
Quote from: JBert;204577
Did you check the link?

yea i'm a bit slow on the uptake sometimes ;) edited my response

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline gr1m

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« Reply #17 on: Tue, 20 July 2010, 16:22:10 »
Well I'd post my rusty, banged up piece of crap but it really isn't anything post-worthy. I'll update when I buy a new beauty.

Offline Brodie337

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« Reply #18 on: Wed, 21 July 2010, 09:30:11 »
My baby, named Gumbi, thanks to the headstock:


It's a German made Warwick Corvette $$

My girlfriend bought it as a present after my Thunderbird (11 pounds of mahogany fury) died in a car crash.

Loved it ever since.

EDIT:
Here's a better pic of the Gumbi style headstock:
http://www.elderly.com/new_instruments/items/images/55N/CORVDB5_headstock-front.jpg
« Last Edit: Wed, 21 July 2010, 09:37:43 by Brodie337 »

Offline Voixdelion

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« Reply #19 on: Thu, 22 July 2010, 21:09:09 »
How do I take a picture of my voice?
"The more you tolerate each other, the less enforcement will happen."-iMav

Offline gr1m

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« Reply #20 on: Thu, 22 July 2010, 21:10:26 »
Step 1: take off clothes
Step 2: keyboard on head

Offline wellington1869

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« Reply #21 on: Thu, 22 July 2010, 21:55:41 »
Quote from: Voixdelion;205495
How do I take a picture of my voice?


how about a recording?

Quote

Step 1: take off clothes
Step 2: keyboard on head

yea, or that :)

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline Oqsy

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« Reply #22 on: Thu, 22 July 2010, 23:41:27 »
Blue (custom) fender jazzmaster. Stupid tapatalk cropped the already crap phone pic. I will do an edit with better pic later. I also have a takamine acoustic, a strat, a tele, a pbass, and this *****in' first act Volkswagen promotional guitar that's kinda of styled after a guild I think. Or maybe a non lp/sg gibson solid body. That's a really fun guitar and great quality for "first act".
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline wellington1869

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« Reply #23 on: Fri, 23 July 2010, 00:45:59 »
Quote from: Oqsy;205533
Blue (custom) fender jazzmaster. Stupid tapatalk cropped the already crap phone pic. I will do an edit with better pic later. I also have a takamine acoustic, a strat, a tele, a pbass, and this *****in' first act Volkswagen promotional guitar that's kinda of styled after a guild I think. Or maybe a non lp/sg gibson solid body. That's a really fun guitar and great quality for "first act".


looks good, blue and orange go surprisingly well together

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #24 on: Fri, 23 July 2010, 03:07:42 »
This was my first one, a kramer striker 200st. Yea, it was a piece of crap, but I loved the color (a sparkly cherry red, pic doesnt do it justice).  Strikers are apparently kind of collectors items now for people with 80's nostalgia. I originally bought it for about $200 (saved up with money from a paper route) and still sold this for $110 after 22 years :)



Upgraded briefly to this, a plain looking les paul studio (tho there's no shortage of ways to pimp out your les paul if you want to, lol). I always thought I was a fender guy until I finally played an LP.


But even the scooped out weight-reduced studio model felt too heavy to me, and never did get used to hump in the middle after a lifetime of playing strat-copies.  But more than comfort, I also couldnt get the super-hot burstbucker pickups to sound good thru my headphone amp (they probably sound great thru a marshall stack). So I promptly down-graded to my current melody maker which suits where I am (musically and otherwise) at the moment, perfectly.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline Oqsy

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« Reply #25 on: Fri, 23 July 2010, 19:09:44 »
That pic doesn't do the colors justice... it's pepsi can blue with a red tortoise shell pickguard.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline microsoft windows

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« Reply #26 on: Fri, 23 July 2010, 19:11:23 »

One of my favorite eating instruments.
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Offline gr1m

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« Reply #27 on: Fri, 23 July 2010, 19:14:41 »
Vintage guitars always warm my heart. When it comes to playing though, I prefer the newfangled Japanese shred-machines.

Offline wellington1869

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« Reply #28 on: Fri, 23 July 2010, 19:40:41 »
Quote from: gr1m;205788
Vintage guitars always warm my heart. When it comes to playing though, I prefer the newfangled Japanese shred-machines.


i've definitely been tempted by the odd ibanez or two, they're so pretty. But in the end I've only let myself plunk down money on old fashioned shapes.  I've been seriously tempted by a gretsch duo jet, which is probably about as radical as I've gotten. (Love that bigsby). I promised myself I would buy one of these before I die.



Perfect for my Reverend Horton Heat imitation.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline instantkamera

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« Reply #29 on: Fri, 23 July 2010, 20:54:36 »
Quote from: itlnstln;204591
I was going to post pics of my meat whistle/skin flute, but the GH server wouldn't hold pics that large.


I have the opposite problem, some kind of "error: Unexpected end of data: cannot parse 0 byte file." ???
Realforce 86UB - Razer Blackwidow - Dell AT101W - IBM model MCST  LtracX - Kensington Orbit - Logitech Trackman wheel opticalAMD PhenomII x6 - 16GB RAM - SSD - RAIDDell U2211H - Spyder3 - Eye One Display 2

Offline EverythingIBM

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« Reply #30 on: Sat, 24 July 2010, 01:01:42 »
I really want a Roland C-30 harpsichord (unless I could get a real one -- but it would be so expensive, and no one sells any, unless I didn't look enough):


Although it annoys me that the changed the colour of the keys... It should look more like this:
Keyboards: '86 M, M5-2, M13, SSK, F AT, F XT

Offline cmr

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« Reply #31 on: Sun, 25 July 2010, 15:37:24 »
behold: the dubreq stylophone



1-key rollover. no debouncing or envelope controls whatsoever. you get an octave and a half of "keyboard", three oscillator settings, vibrato, and a tuning knob.

but with a bit of multitrack recording software and a lot of RSI you can actually make something resembling music...

Offline Voixdelion

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« Reply #32 on: Sun, 25 July 2010, 16:30:58 »
Quote from: cmr;206335
behold: the dubreq stylophone

Show Image


1-key rollover. no debouncing or envelope controls whatsoever. you get an octave and a half of "keyboard", three oscillator settings, vibrato, and a tuning knob.

but with a bit of multitrack recording software and a lot of RSI you can actually make something resembling music...

Interesting...
"The more you tolerate each other, the less enforcement will happen."-iMav

Offline Oqsy

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« Reply #33 on: Sun, 25 July 2010, 16:40:38 »
cmr: do you take requests?  I'd love some kraftwerk recordings made with that little guy :D  (Pocket Calculator or "Taschenrechner" comes to mind)
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline cmr

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« Reply #34 on: Sun, 25 July 2010, 16:50:42 »
ah, but kraftwerk already used a 60s model stylophone on pocket calculator!

i'm in the middle of working the theme from danger man right now but i'll consider any requests.

Offline EverythingIBM

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« Reply #35 on: Sun, 25 July 2010, 18:11:59 »
Quote from: cmr;206356
ah, but kraftwerk already used a 60s model stylophone on pocket calculator!

i'm in the middle of working the theme from danger man right now but i'll consider any requests.


Hmmm... how about Antonio Soler's Fandango on that stylohphone? Or Thomas Campion's "when thou must home".
Keyboards: '86 M, M5-2, M13, SSK, F AT, F XT

Offline Oqsy

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« Reply #36 on: Sun, 25 July 2010, 23:21:14 »
cmr: Precisely. :D  I've been worried about the future of music and music fans, but after that post, I can really just take 'er easy from now on.  You've made an old timer proud, son.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline EverythingIBM

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« Reply #37 on: Sun, 25 July 2010, 23:26:08 »
Quote from: Oqsy;206463
cmr: Precisely. :D  I've been worried about the future of music and music fans, but after that post, I can really just take 'er easy from now on.  You've made an old timer proud, son.

*sniff* but what about me? Haven't I made an old timer proud with my taste in music?

What if I do kraftwerk on the JV-1080 (I'd need to reformat my intellistation to XP though, since windows 7 is a watered down piece of junk that can't handle MIDI):
Keyboards: '86 M, M5-2, M13, SSK, F AT, F XT

Offline wellington1869

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« Reply #38 on: Mon, 26 July 2010, 00:15:24 »
Quote from: cmr;206335
behold: the dubreq stylophone

Show Image


1-key rollover. no debouncing or envelope controls whatsoever. you get an octave and a half of "keyboard", three oscillator settings, vibrato, and a tuning knob.

but with a bit of multitrack recording software and a lot of RSI you can actually make something resembling music...


wow, thats better than a chipmunks album.  neat.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline pikapika

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« Reply #39 on: Mon, 26 July 2010, 08:22:33 »
here are mine

vantage bass, nice shape but poor pickups :



some old bass :




my best bass, a kramer with aluminium neck and new emg pickups (the picture is not mine, my bass had some hard changes to put the pickups) :



I'm trying to learn drums so i bought this, electronic drum millenium mps-100  :
not very good indeed


I got this before (yamaha dd11) which is in fact far better on the sound and responsiveness

Offline wellington1869

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« Reply #40 on: Mon, 26 July 2010, 08:44:38 »
great looking basses!  I'm trying to learn e-drums too, was debating between tabletop like the yamaha and cheap full set. You like the tabletop better huh? Something nice about being able to hit a full set tho, its more natural. Havent decided yet which I'll wind up with.
« Last Edit: Mon, 26 July 2010, 08:48:52 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline pikapika

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« Reply #41 on: Mon, 26 July 2010, 09:01:52 »
thanks !

about the e-drums, a full set is better though low end are not that good and is big. I'm wondering if i keep it or not.
the yamaha is not as natural, though i had less problems, specially with the millenium if you hit the hit hat and the kick drum you hardly hear the kick, that thing didn't happen at all with the yamaha

Offline wellington1869

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« Reply #42 on: Mon, 26 July 2010, 09:08:29 »
Quote from: pikapika;206558
thanks !

about the e-drums, a full set is better though low end are not that good and is big. I'm wondering if i keep it or not.
the yamaha is not as natural, though i had less problems, specially with the millenium if you hit the hit hat and the kick drum you hardly hear the kick, that thing didn't happen at all with the yamaha


how much were the milleniums? I googled that model but didnt see it. I was looking at a set on amazon for about $500. I think i'd pay that much...

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline pikapika

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« Reply #43 on: Mon, 26 July 2010, 09:29:18 »
it's this one http://www.thomann.de/fr/millenium_mps100_edrum_starter_set.htm

i got it second hand at 150€, i heard there are good yamaha and roland full sets around 500$ specially if you can catch some second hand ones

Offline Oqsy

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« Reply #44 on: Mon, 26 July 2010, 19:43:22 »
Look into Roland's V-drums TD-4KX before you purchase.  
My brother plays drums for a living (on Beale Street in Memphis most of the time, but he gigs all around the area).  He used to have a drum shop here in the city of 55,000 where I live, and he had some V-Drums that I fell in love with.  I wish I'd had some spare $ and I would have gotten a set in addition to or to replace the crap Basix acoustic set I have now.  It's a shame this town couldn't support a dedicated percussion shop, but I'm glad he found his niche in Memphis.  Great city for live music, even if a bit stuck in the blues era.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline gr1m

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« Reply #45 on: Fri, 30 July 2010, 01:01:21 »

The workhorse. It's actually a unique cheap guitar in that there's nothing inherently wrong with it and no part is blatantly cheaped-out on. It's just unremarkable, and there are worse things cheap guitars can be.

I don't take care of the body at all but I oil the neck with Dunlop Lemon Oil every string-change (I love a freshly lemon-oiled fretboard).
« Last Edit: Fri, 30 July 2010, 01:04:06 by gr1m »

Offline wellington1869

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« Reply #46 on: Fri, 30 July 2010, 10:14:40 »
nice looking guitar, is it a no-name? where did you get it?

i just started using lemon oil too, i like it.

Also i've started putting lubricant ('nut sauce') on the nut (sounds awfully dirty i know) instead of rubbing a pencil in there for the graphite. The nut sauce really helps keep the strings in tune longer especially if you do a lot of bends, i was surprised at how effective it is.

my mm doesnt have a tremolo, and while i really like tremolos, i just got sick and tired of the strings going out of tune every couple of hours. Even with a string-lock thing on the nut it never worked for me. So I opted to live without it.  Even tho i dream of one day installing a bigsby.

In the meanwhile i've been experimenting with the digital 'pitch bender' thats included with my zoom headphone amp.  Its not bad really, used with the expression pedal, you can simulate the tremolo and dive bombs pretty well. I wouldnt mind a dedicated pedal with more control over it, though.  But yea, a digital tremolo may be the answer to the keeps-going-out-of-tune problem.

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Offline itlnstln

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« Reply #47 on: Fri, 30 July 2010, 10:18:26 »
My skin flute has some nut sauce.


Offline wellington1869

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« Reply #48 on: Fri, 30 July 2010, 11:47:20 »
Quote from: itlnstln;207810
My skin flute has some nut sauce.


:)

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Offline gr1m

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« Reply #49 on: Fri, 30 July 2010, 12:26:46 »
Quote from: wellington1869;207807
nice looking guitar, is it a no-name? where did you get it?


Na, it's an Ibanez. The only part of the guitar I managed to not get in the picture is the very tip of the headstock with the word Ibanez on it. Ibanez GAX70.  

Quote from: wellington1869;207807
i just started using lemon oil too, i like it.

Also i've started putting lubricant ('nut sauce') on the nut (sounds awfully dirty i know) instead of rubbing a pencil in there for the graphite. The nut sauce really helps keep the strings in tune longer especially if you do a lot of bends, i was surprised at how effective it is.


Yeah, lemon oil is the best, but I never thought about lubricating the nut. My strings do go out of tune once in a while (especially with new strings until I break into them) but I attributed it to the fact that it's a $200 guitar without considering that it has something to do with maintenance.

Quote from: wellington1869;207807
my mm doesnt have a tremolo, and while i really like tremolos, i just got sick and tired of the strings going out of tune every couple of hours. Even with a string-lock thing on the nut it never worked for me. So I opted to live without it.  Even tho i dream of one day installing a bigsby.


Tremolos are a lot more pain than they're worth. Even the good ones that don't go out of tune like Original Floyd Roses. My friend had one and while he was changing strings, he messed up by tightening something or another too tightly and the entire thing popped out of the guitar, lol. Besides, I like changing tunings often so hard-tails are for me.

Quote from: wellington1869;207807
In the meanwhile i've been experimenting with the digital 'pitch bender' thats included with my zoom headphone amp.  Its not bad really, used with the expression pedal, you can simulate the tremolo and dive bombs pretty well. I wouldnt mind a dedicated pedal with more control over it, though.  But yea, a digital tremolo may be the answer to the keeps-going-out-of-tune problem.


I still haven't bought any pedals or sound gear or new amps because after hearing an ENGL Powerball (a $2000 amp head), I don't want to use anything else, because I know that any amount I spend will be less money put in my ENGL Powerball fund.

Offline gr1m

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« Reply #50 on: Fri, 30 July 2010, 14:22:13 »
Also, I got it at Steves, the Montreal branch. Pretty big music store up here in Canada.

Offline Oqsy

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« Reply #51 on: Fri, 30 July 2010, 17:47:19 »
I have been playing guitar for 15 years and only recently started using graphite on the nut.  It's ok, but not life-changing...  I've accepted that constantly tuning my guitars is going to be a part of playing guitar.  I *HATE* new strings because of the inherent tuning instability.  I usually string the guitar up with them a few steps below standard tuning, just enough tension to be able to put some strain on them, and then I stretch the *%$! out of them by pulling them straight out away from the neck starting at the middle of the neck and then working down toward the bridge, back across the middle, and up to the nut.  I probably make seven or eight passes on each string.  When I get done the strings are super floppy loose and nowhere near the tension they were at when I started.  Metal strings are bound to stretch and contract with even mild temperature fluctuations, so things like a floyd rose locking tremolo or other "in tune" tremolo systems are just gimmicks.  

Of my 4 electric guitars, the strat and jazzmaster have the factory tremolos, the telecaster was retrofitted with a bixby which was later removed because it was worthless due to the constant retuning after any use of the bar at all.  The fourth guitar, my VW First Act, is a true solid tail, and really is more fun to play due to the lessened tuning foibles.  All in all though, even acoustic guitars and hard tail electrics are going to require constant tuning and retuning because of the stretch put on the strings by playing, and the fluctuations in string temperature caused by the heat of your fingers on the strings.  

It's better to invest your money in a good tuner that's easy to use and precise (I like the Stimmung tuning approach because the tempering is ideal for open string guitar chords, search for the Stimmung tuners on iTunes App Store if you have an iDevice.  They're easy to use, VERY precise, and give you a guitar that sounds great on an open G chord, a C chord, an open E chord, or even a Bb barre chord rooted on the 6th fret.  Most tuners will put the open strings precisely on the frequency mathematically calculated for the required note.  While this sounds fine, Bach discovered a LONG time ago that notes perfectly in tune will sound sometimes sound off pitch when playing in combination with other notes.  Tempering is a way to try to tune that instrument to be as close as possible to the "ideal" mathematical pitches without causing the dissonances which make the chords sound unpleasant.  So by getting "pretty close" to those ideal pitches, but tuning around the discrepancies found in some of the more popular chords, you get the best of both worlds.  A guitar that sounds in tune with any other instrument tuned to A=440 but is tempered in a way that doesn't cause weird tuning problems (think about how often an open G string sounds out of tune with a chord but checks out perfectly on the tuner... MADDENING!  This method fixes that to the point that it's ALMOST undetectable)  

Anyway, I'm a bit obsessed with tuning and can't play a guitar for more than a few seconds if I get the warbling dissonance of being out of tune...  It just makes it sound like the person playing doesn't know how to play the right notes, even if they are.  If I hear someone playing out of tune I'm assuming they know nothing about their instrument or music even if they're far more technically skilled than me.
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Offline gr1m

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« Reply #52 on: Fri, 30 July 2010, 18:01:27 »
I'm far lazier with my tuning. I have a typical Korg tuning device that cost me around $10:


But I rarely use it. I tune my strings relative to the others. So I'm never in 440Hz but playing doesn't sound wrong (I also rarely play chord music). There are some riffs/licks that sound horrible even when tuning is a tiny bit off so I use those to get my guitar "practically" tuned before started my playing for the day.

Also, I don't know why but the bottom E string (physical bottom, so the thinnest string) always displays the strangest behavior when I'm putting a brand new one in. I can have it tuned perfectly and then it will "slip" and go ridiculously low and I have to tighten it back up again. And often this happens multiple times on the same new string (until it finally "settles down"). Is the string stretching?

And honestly I love how new strings sound. That fresh buzz that isn't exactly fret buzz but just new-string buzz. Mmmmm.

Offline itlnstln

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« Reply #53 on: Fri, 30 July 2010, 18:01:39 »
Jesus, oqsy, have you been taking writing lessons from welly?

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Offline d4rkst4r

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« Reply #54 on: Fri, 30 July 2010, 18:14:39 »
Quote from: Oqsy;207898
Metal strings are bound to stretch and contract with even mild temperature fluctuations.


I would think the fluctuation in the wood of the instrument has a greater effect on string tension, no?

Quote from: Oqsy;207898

While this sounds fine, Bach discovered a LONG time ago that notes perfectly in tune will sound sometimes sound off pitch when playing in combination with other notes.


I've always suspected this. I just thought the intonation of the guitar was not quite perfect.
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Offline gr1m

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« Reply #55 on: Fri, 30 July 2010, 18:17:20 »
My friend who does gigs and shows has one of those Boss tuner pedals. Useful little things but yeah, I'd say they're not really worth it for bedroom jamming.

Offline TexasFlood

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« Reply #56 on: Fri, 30 July 2010, 18:38:18 »
I used to play but just haven't for some time.  Maybe should start again.
But probably need to upgrade my tuning equipment.

« Last Edit: Fri, 30 July 2010, 18:46:36 by TexasFlood »

Offline wellington1869

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« Reply #57 on: Fri, 30 July 2010, 19:45:00 »
here's what i use: Intelli IMT500 Clip-on Chromatic Digital Tuner for Strings, $15



you clip it on the guitar (electric or acoustic) and it senses the vibrations in the guitar to tell you when you're out of tune. Works surprisingly well. Convenient cuz you dont have to plug a cable into it nor does the room itself have to be quiet.

here's a good review

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Offline gr1m

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« Reply #58 on: Fri, 30 July 2010, 20:04:00 »
That actually is cool. Nice doing away with a plug-in tuner. I'll more than likely just buy an amp with a built-in tuner though. They aren't very uncommon these days and I'm getting so bored with my Blazer 158's **** sound that I really feel compelled to buy a better amp. Of course, if I find a great amp that doesn't have a tuner, I'll still buy the amp.

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« Reply #59 on: Fri, 30 July 2010, 20:11:31 »
Is there an all-encompassing guitar thread around? I'd like some amp recommendations actually, or at least to discuss my purchase with other people that play guitar, and I don't think it deserves it's own thread.

Or maybe I'll make a Guitar Chat thread?

Offline Oqsy

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« Reply #60 on: Fri, 30 July 2010, 20:12:31 »
well, actually welly and I have been spending a bit of time together on the forum over the last few days...  I'm not sure exactly what it would mean to write like welly, but I like Muppets and I like naps, so I'll take it as a compliment.  

gr1m:  what you're experiencing is very common for higher strings, but can happen to any string.  The issue is the size of the string, the size of the cutout in the nut, and the gradient of tension between the tuner side of the nut and the fretboard side of the nut.  The "popping" and immediate detuning is the string slipping inside the nut as the tension across the string equalizes. The next time you have a string that keeps doing that, do two things:

1.  use graphite or a similar product to relieve a bit of the friction at the nut so that the tension on either side of the nut can equalize.  This way when you increase the tension (and pitch) of the string, the string will move freely inside the nut so that you don't have tons of tension on one side and not as much on the other...

2.  loosen the string slightly (2-3 steps down, precision doesn't mean anything, just need the string a bit loose to keep from breaking it).  Pull the string out from the nut and ease the tension back up with the tuner peg until you're close to back in tune.  Now let the string fall back into the nut.

If this issue continues you might need to take your guitar to a trusted luthier or repair shop and have the slot for the high E string filed slightly to better accommodate the string gauge you're using.

Also, how many times does your string wrap around your tuning peg when ideally tuned?  The more excess length on a string that is wrapped around the tuning peg, the more unstable the tuning of the guitar.  The same principle of tension gradient across the nut applies to the string wound around the tuning peg.  There are **** tons of recommendations for how much string should be left on your guitar for ideal tuning, but I always go with 4-6 wraps around the tuning peg, MAXIMUM.  Cut them too short and you will have problems getting enough friction at the tuning peg to get the string to "grab".
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Offline Oqsy

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« Reply #61 on: Fri, 30 July 2010, 20:21:06 »
I highly recommend the Hot Rod DeVille 4x10 combo for anyone shopping for a gig or recording worthy amp with plenty of power and a gorgeous tube tone.  I've never understood fans of the 12" speaker for guitar amps.  The power and speaker excursion necessary to hit the "sweet spot" of the speakers is at a level so obnoxious that it defeats the purpose of finding the "sweet spot".  
A 4x12" speaker cabinet with a massively powerful head unit fits a *very* specific niche when it comes to volume vs. tone.  If you can't crank it up because it will overpower other instruments in a gig, then you lose any tonal advantages of the rig.  If you need THAT much volume, then most likely you're playing in a venue where the other instruments are coming through a PA, and at that point you're talking about putting a mic on the amp anyway, and then it's just as good to have a smaller, lighter, more unique amp with a nicer tone that can be boosted a bit in the mix if volume is an issue.  Recording is a no-brainer.  Why abuse your recording microphones with the high pressure sound waves coming out of a 4x12 cranked to 11 when you can get just as nice (or nicer) a tone with a smaller amp, and actually be able to adjust the mic input gain without over-saturation of the signal.
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Offline gr1m

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« Reply #62 on: Fri, 30 July 2010, 20:22:33 »
I've had my bridge filed twice (if that's what you mean). When I first had this guitar, I used to break strings often because I used to use Ernie Ball Super Slinky strings (even lighter than normal gauge). After 2 filings, I went all "bro total h34vy m3t4localypse" and bought some real heavy gauge string (11-52s, lol) before becoming sensible and switching back to regular gauge (10-46) a year ago (after which I've had no problems breaking strings since).

I'll put some graphite on the nut. As for my strings, right now and like all the times I do a string change, most do not make a full rotation around the peg. Most make a half-rotation. When I'm done the tuning and my strings have stretched out after an hour or two of playing right after a string change, I cut the tips and leave about an inch coming out of the tuning peg.

4-6 wraps? How do you string your guitar? I poke the end through the tuning peg hole, pull the string as tight as I can with my hand and then start turning the tuning peg until the string "grabs". I have no idea if this is right or wrong.

Strangely, I have a friend who learns musical theory at my university and he doesn't even restring his own guitars. He takes it to a luthier for a $100 string change and general cleanup/checkup once a month AFAIK. He's very good and one of his professors has called him a "musical genius" apparently. You'd figure he'd re-string his own guitars.

Quote from: Oqsy;207932
I highly recommend the Hot Rod DeVille 4x10 combo for anyone shopping for a gig or recording worthy amp with plenty of power and a gorgeous tube tone.  I've never understood fans of the 12" speaker for guitar amps.  The power and speaker excursion necessary to hit the "sweet spot" of the speakers is at a level so obnoxious that it defeats the purpose of finding the "sweet spot".  
A 4x12" speaker cabinet with a massively powerful head unit fits a *very* specific niche when it comes to volume vs. tone.  If you can't crank it up because it will overpower other instruments in a gig, then you lose any tonal advantages of the rig.  If you need THAT much volume, then most likely you're playing in a venue where the other instruments are coming through a PA, and at that point you're talking about putting a mic on the amp anyway, and then it's just as good to have a smaller, lighter, more unique amp with a nicer tone that can be boosted a bit in the mix if volume is an issue.  Recording is a no-brainer.  Why abuse your recording microphones with the high pressure sound waves coming out of a 4x12 cranked to 11 when you can get just as nice (or nicer) a tone with a smaller amp, and actually be able to adjust the mic input gain without over-saturation of the signal.

Anyone I know that actually plays live gigs/shows buys the best small amp they can afford, instead of getting a mediocre stack. I don't know about tube amps though. Heavy as hell and I've been around when somebody dropped one. I'm not planning on dropping my amp anywhere but I like to play resting my feet on the amp and would prefer them not be filled with glass tubes. Also, how much does maintaining a tube amp cost? I.e., how often do you have to get new tubes, how much do they generally cost, etc.

I've heard hybrid amps (tube pre-amp) are decent and that's certainly the case with the only one I've used, the Vox Valvetronix XL (a special black version of the Valvetronix they stopped making a while back), but I don't want to make an impulse buy. I play my 15W solid-state amplifier with the volume knob generally between the quarter and the halfway mark, so I don't need a big tube amp at all. Do they have good 8W ones? Also, how many small tube combo amps have *****in' metal distortion like, say, Mesa Boogies?
« Last Edit: Fri, 30 July 2010, 20:27:58 by gr1m »

Offline Oqsy

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« Reply #63 on: Fri, 30 July 2010, 21:43:14 »
Oh... metal.  You're on your own.
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Offline gr1m

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« Reply #64 on: Sat, 31 July 2010, 16:41:10 »


I've been thinking of picking one of these up. Not too expensive at $500 and apparently they have surprising build quality for the price. And I've always wanted to try a 7-string.

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« Reply #65 on: Sat, 31 July 2010, 18:50:34 »
Here you go
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Offline D-EJ915

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« Reply #66 on: Sat, 31 July 2010, 19:34:20 »
the necks on those Ibanez cheap models are awful imo but you might think it's okay, for that price I would get a used schecter hellraiser which has a giant fat neck but it won't make you want to kill yourself because it's like playing a board like the Ibanez is.
« Last Edit: Fri, 20 November 2020, 18:41:50 by D-EJ915 »

Offline gr1m

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« Reply #67 on: Sat, 31 July 2010, 19:49:21 »
That's an ESP Michael Amott guitar? Big Arch Enemy fan?

Offline D-EJ915

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« Reply #68 on: Sat, 31 July 2010, 22:03:41 »
not a big fan but it's a nice guitar.  have the maverick in drop-D, falcon in drop-Db and ninja in drop-C.  I might get a 7-string again for E and B stuff.
« Last Edit: Sat, 31 July 2010, 23:31:35 by D-EJ915 »

Offline didjamatic

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« Reply #69 on: Sat, 31 July 2010, 23:19:07 »
Here's my week-overdue-reply.  I hadn't read the thread.

Quote from: wellington1869;204624
wow, a didjeridoo. so do you actually play that thing?  And is that why you're 'didjamatic'?

Yes, they are a blast.  Once you learn to circular-breathe it's an amazing experience.  You can play for as long as you want without stopping the sound from the didj.  I don't play as often as I should.

I used to get branches from fallen cottonwoods, split and hollow them out, paint and sell them as well as teach people how to play.  They have it easy in AU where eucalyptus is hollowed out by termites. :)
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Offline Oqsy

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« Reply #70 on: Sun, 01 August 2010, 00:35:42 »
I could never learn how to circular breathe...  I tried for years in high school when I played saxophone.  It just wasn't happening.  Any tips? :P
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Offline Oqsy

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« Reply #71 on: Sun, 01 August 2010, 15:31:19 »
ripster I've never stolen before, but the pics of stuff you post makes me consider it :)

I could go to town on your legos alone, but keyboards, tube amps, nice guitars...  I think I have a guy crush on you.
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Offline wellington1869

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« Reply #72 on: Mon, 02 August 2010, 22:55:27 »
Here's the "instrument of my weight loss".



"Qah-pah!", she says when she strikes the ball, sounding like an angry Klingon. "Qah-pah!".

Though she also gave me a nasty case of tennis elbow (O-u-c-h), but I'm not holding it against her.

Paid about $200 for it 18 years ago (!) and she's still going strong. They still sell this line (for about $200). Stefan Edberg used this model for a few years. Sampras used the smaller 88 sq inch version. (This one is the normal 95 sq in).  Though thats not why I bought it of course. I demo-ed every racquet the store had and took my time with the selection process. Nothing like having it in your hands out on the court to know what you like and dont like (I guess my approach to keyboard selection was the same, lol).  I liked the balance and feel of this one instantly. The wicked cool color scheme certainly didnt hurt either.

This one was super-light at the time I bought it -- but the racquets they have out now are just incredibly light, like feathers.  I actually prefer at least some heft to it I think, I imagine it stabilizes my strokes a bit.  Or maybe i'm just attached to it sentimentally at this point. But for whatever reason I have no desire to replace it until it disintegrates.

Its served me well; back when I used to play in the 90's with it I was actually asked to be on my college varsity team :) Which was about the highlight of my tennis career (had to decline cuz of upcoming grad school). Nice to be asked though.  Ah the memories.
« Last Edit: Mon, 02 August 2010, 23:16:18 by wellington1869 »

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Offline wellington1869

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« Reply #73 on: Mon, 02 August 2010, 23:22:31 »
I had this little "baby marshall" for about 18 years too. I bought this after I sold a marshall half-stack that I owned in college. (A half stack that i had no business owning, was a royal pain to move around, could never turn it past "1" without everyone in the vicinity calling the police, and I didnt know what to do with all that power anyway - but man, it was cool to have in my room, lol).  But yea that was way overkill. So I overcompensated in the other direction and bought this tiny little thing.  

Solid state but an incredibly warm distortion sound out of it, perfect for Crazy Train. Finally sold it earlier this year. I had bought it used for about $100; sold it for $100 18 years later, lol. :)  Apparently there is a small fan-base out there for this baby marshall line from the 80s.

I read somewhere that ZZ Top recorded La Grange using one of these turned up all the way in the studio.




"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #74 on: Mon, 02 August 2010, 23:30:14 »
Quote from: gr1m;207933



I've heard hybrid amps (tube pre-amp) are decent and that's certainly the case with the only one I've used, the Vox Valvetronix XL (a special black version of the Valvetronix they stopped making a while back), but I don't want to make an impulse buy. I play my 15W solid-state amplifier with the volume knob generally between the quarter and the halfway mark, so I don't need a big tube amp at all. Do they have good 8W ones? Also, how many small tube combo amps have *****in' metal distortion like, say, Mesa Boogies?


i'd go with a hybrid amp too, if i were to buy one today. I'm a big fan of mesa boogie rectifier distortion, and seems like the hybrids do a decent job of replicating it these days. hell they even have hybrid headphone amps.  The zoom g7.1 has a tube preamp:



I'm a big fan of headphone amps for the sheer convenience. Small enough to carry around, great amp models and effects combined in one device, plugs right into computer for digital recording.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline gr1m

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« Reply #75 on: Mon, 02 August 2010, 23:54:56 »
Quote from: wellington1869;208595
i'd go with a hybrid amp too, if i were to buy one today. I'm a big fan of mesa boogie rectifier distortion, and seems like the hybrids do a decent job of replicating it these days. hell they even have hybrid headphone amps.  The zoom g7.1 has a tube preamp:

Show Image


I'm a big fan of headphone amps for the sheer convenience. Small enough to carry around, great amp models and effects combined in one device, plugs right into computer for digital recording.

Well I think that settles it. The Vox amp I was talking about is no longer in production, but a local store has the 30W version going for $150 because of a cosmetic defect (nothing more than a scratch). Since they aren't produced anymore and went for around $250-$300 new when they were still being produced, I think I should just go for it.

My friend wants to buy my acoustic guitar because he wants to play Gypsy Jazz so I'll likely get enough money to buy the amp from the sale. Also, nothing like a new amp to spice up your desire to keep playing. Plug a $3000 guitar in a bad amp and it'll sound like ****. I won't make the mistake of buying a bad amp again. Or so I hope.

Offline wellington1869

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« Reply #76 on: Tue, 03 August 2010, 00:10:39 »
sounds like a good idea! :)

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline DreymaR

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« Reply #77 on: Wed, 04 August 2010, 05:53:14 »
So hard to determine which one's the favourite, so here's my most recent acquisition instead:



A truly sweet little thing, and it doesn't cost much at all from Early Music Shop. Yay.
Better burden you cannot carry than man-wisdom much ~ Hávamál

Offline mr_a500

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« Reply #78 on: Wed, 04 August 2010, 07:58:50 »
Quote from: wellington1869;208575
Here's the "instrument of my weight loss".

Show Image


"Qah-pah!", she says when she strikes the ball, sounding like an angry Klingon. "Qah-pah!".



I hope she doesn't also look like an angry Klingon. :wink:

I've got the same racquet (smaller version), bought around the same time as yours. I like the balance weights on the sides, but sometimes they get in the way when slicing (and the ball leaves the court like a baseball player's home run). I agree about the light racquets. You need a bit of weight for a good hit.

Offline keyboardlover

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« Reply #79 on: Wed, 04 August 2010, 10:43:40 »
I like to play a bit of guitar and (sometimes) drums. Here's a photo (not mine) of my baby - a Martin D-35 (passed down from my Dad). It's an absolute dream to play:


Offline wellington1869

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« Reply #80 on: Wed, 04 August 2010, 10:50:41 »
Quote from: DreymaR;209012
So hard to determine which one's the favourite, so here's my most recent acquisition instead:

Show Image


A truly sweet little thing, and it doesn't cost much at all from Early Music Shop. Yay.


ah, the king of stringed instruments.  I knew a guy in undergrad who spent a semester building a harp from scratch. Being in engineering school at the time I was very jealous. But then again I'm pretty sure he was jobless when he graduated ;) Damn humanities kids.

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Offline wellington1869

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« Reply #81 on: Wed, 04 August 2010, 10:56:08 »
Quote from: mr_a500;209027
I hope she doesn't also look like an angry Klingon. :wink:

I've got the same racquet (smaller version), bought around the same time as yours. I like the balance weights on the sides, but sometimes they get in the way when slicing (and the ball leaves the court like a baseball player's home run). I agree about the light racquets. You need a bit of weight for a good hit.


I actually found a bunch of forum threads on this model line in particular, there are real die-hard fans of it out there :)

I like the slightly head-light weight too, even tho my natural inclination is to be a baseliner. Which is why I was surprised at how well I took to this racquet (both edberg and sampras were serve-and-volleyers too). But I didnt like the head-heavy ones that I demo'd at the store (which are supposedly better for baseliners), and for whatever reason this one felt the best for my game. And I even charge the net with it sometimes :)

You get tons of control with it.  I strung it at 60 lbs (middle of the range) for my return-to-tennis party, but next year I'll drop it down to 58 (which, IIRC, is what I used to play at). Below that and it turns into a baseball bat.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

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Offline patrickgeekhack

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My Pelikan M205 with custom Richard Binder's italic nib
« Reply #82 on: Sun, 08 August 2010, 11:59:56 »


I've been practising italic handwriting since April and have been getting very good at it. This was why I was not on geekhack.org a lot lately.

Offline Voixdelion

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« Reply #83 on: Mon, 09 August 2010, 18:49:04 »
Quote from: patrickgeekhack;210396

I've been practising italic handwriting since April and have been getting very good at it. This was why I was not on geekhack.org a lot lately.


accompanying sample of penmanship?
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Offline patrickgeekhack

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« Reply #84 on: Mon, 09 August 2010, 19:34:39 »
Quote from: Voixdelion;210770
accompanying sample of penmanship?



This was  when I started practising italic handwriting at the end of May this year. Without boasting, I do think I have made a lot of progress since then. When I have some time, I'll write something and scan it. I am too busy with things around the house for now. I am a full-time employee, a part-student at U of Waterloo, and a father of a little girl who after 1.5 years still does not sleep through the night. During school terms, especially around exams time, I tend to set aside a long of things to do in between terms.

And this was my cursive handwriting back in April:
Again, I think I have made a lot of progress since then. I really started to get interested with fixing my handwriting around April this year. Just like with keyboards, finding the right pen, paper and ink combination is the key. Some people like a pen that writes on the dry side whereas some like a pen which write on the wet side. I prefer a wet pen.

The italic sample was writing with a Pelikan M205 with a custom ground nib. The cursive style was written with a Mabie Todd Swan L206/60 (circa 1950). The latter writes on the dry side. It took me some time to get used to it.

I would like to add that the world of fountain pen is like a world without limit. Fountain pen price can be ridiculously high. But boy do they provide a great sense of pleasure both to the writer and to the person the letter is addressed to. I like to write a note to my wife on special occasions or just for the sake of writing her a note. For this kind of situations, a keyboard, even the most expensive one, simply cannot replace a pen. Imagine receiving a nice handwritten on high quality paper in an equally high quality envelope sealed with burgundy wax...
« Last Edit: Mon, 09 August 2010, 19:50:10 by patrickgeekhack »

Offline Oqsy

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« Reply #85 on: Mon, 09 August 2010, 20:19:56 »
Buying a solid state Marshall is like buying an automatic Ferrari...  Hawhhyyyyyy?
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
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Offline EverythingIBM

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« Reply #86 on: Mon, 09 August 2010, 22:54:10 »
Quote from: patrickgeekhack;210780

And this was my cursive handwriting back in April:
Show Image
Again, I think I have made a lot of progress since then. I really started to get interested with fixing my handwriting around April this year. Just like with keyboards, finding the right pen, paper and ink combination is the key. Some people like a pen that writes on the dry side whereas some like a pen which write on the wet side. I prefer a wet pen.

The italic sample was writing with a Pelikan M205 with a custom ground nib. The cursive style was written with a Mabie Todd Swan L206/60 (circa 1950). The latter writes on the dry side. It took me some time to get used to it.

I would like to add that the world of fountain pen is like a world without limit. Fountain pen price can be ridiculously high. But boy do they provide a great sense of pleasure both to the writer and to the person the letter is addressed to. I like to write a note to my wife on special occasions or just for the sake of writing her a note. For this kind of situations, a keyboard, even the most expensive one, simply cannot replace a pen. Imagine receiving a nice handwritten on high quality paper in an equally high quality envelope sealed with burgundy wax...


I have to agree, there's something about calligraphy done by hand that just isn't the same as computer print. Very francy writing looks better than a printed sheet. And I've always wanted a fountain pen...

This amused me:
Quote
un [strike]crayon stylo[/strike] crayon ou un stylo...

I never liked the word "Stylo", probably all of those years in french class with the teachers screaming at me. Why is French mandatory in elementary again?
Keyboards: '86 M, M5-2, M13, SSK, F AT, F XT

Offline mr_a500

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« Reply #87 on: Tue, 10 August 2010, 08:41:55 »
Quote from: ripster;210826
I love Canadian accents.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

No, Really!  The ROFL guy really cracks me up.


Ironically, Canadians can't watch that video. I get a message saying it's not available for my country.

That's probably a Newfoundland accent. Most Canadians outside Newfoundland and the East Coast don't talk like that. The main "Canadian accent" sounds just like the "California accent" (...but not the "valley speak") - which is probably what allows Canadians to successfully infiltrate the American entertainment industry.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/YOUTUBE]
« Last Edit: Wed, 11 August 2010, 10:22:22 by mr_a500 »

Offline patrickgeekhack

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« Reply #88 on: Tue, 10 August 2010, 09:23:34 »
Quote from: EverythingIBM;210805
Why is French mandatory in elementary again?


I don't know. I did not grow up in Canada. However, I did grow up in a country where French was, and still is, madatory till the last two years of secondary school. In a way, not much different from Canada, but I would say that the level is higher where I grew up. I'm speaking of Ontario school though, not Québec schools.

Offline keyboardlover

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« Reply #89 on: Tue, 10 August 2010, 09:24:21 »
Quote from: Oqsy;210785
Buying a solid state Marshall is like buying an automatic Ferrari...  Hawhhyyyyyy?


Yea but it's a practice amp...I don't know anyone who's bought an all-tube 'practice amp'. The solid state ones sound fine, so what's the point in spending a lot of money on something that you'll never gig with?

Offline itlnstln

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« Reply #90 on: Tue, 10 August 2010, 09:37:14 »
The Lamborghini Murcielago is basically an automatic.  Racers prefer automatics because they shift faster.  Just sayin'.


Offline keyboardlover

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« Reply #91 on: Tue, 10 August 2010, 09:44:27 »
Quote from: itlnstln;210879
The Lamborghini Murcielago is basically an automatic.  Racers prefer automatics because they shift faster.  Just sayin'.


That's true. The modern automatic transmissions in most upscale and exotic cars are more efficient than their manual counterparts. The car you're referring to is sort of 'manumatic' - essentially a clutchless manual. The shifting in a clutchless manual is also much smoother.

Offline microsoft windows

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« Reply #92 on: Tue, 10 August 2010, 17:13:53 »
You guys would love my truck with the 3 speed manual on the column.
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Offline patrickgeekhack

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« Reply #93 on: Tue, 10 August 2010, 19:35:34 »
Quote from: ripster;210826
I love Canadian accents.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

No, Really!  The ROFL guy really cracks me up.


I cannot watch video because content is not allowed in my country. My French will probably disappoint you since I did not grow up in Canada. My accent is closer to French accent than French Canadian. That said, I think it's a mistake to think that there is such a thing as a universal French Canadian accent for the accent differs from region to region. It's a fact in Quebec just like it's a fact in France where the accent of the South is different from the accent of the North. USA is not immune either.

Offline microsoft windows

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« Reply #94 on: Tue, 10 August 2010, 19:37:10 »
What about the New-Englander's? They're a funny bunch.
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Offline patrickgeekhack

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« Reply #95 on: Tue, 10 August 2010, 21:01:07 »
Quote from: microsoft windows;211172
What about the New-Englander's? They're a funny bunch.


Never had a chance to talk to one. I have, however, talked to someone from South Carolina on the phone. Very musical to my ears.

Offline patrickgeekhack

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« Reply #96 on: Wed, 11 August 2010, 13:55:46 »
Quote from: ripster;211211
Had a professor from University North Carolina over for dinner.  Also a nice accent.

We had Dungeness instead of Blue Crab.


Is mud crab used a lot in the US? I have not a big fan of crab meat. Raw oysters on the other hand....

Offline itlnstln

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« Reply #97 on: Wed, 11 August 2010, 14:01:40 »
I don't think I have ever had mud crab, although, I used to eat rock crab and blue crab a lot.  I have family in Galveston, TX, and they live on a canal that runs out to the Gulf.  We would drop crab traps into the canal in the morning and eat the crab that evening.  It's about the only benefit to living on the coast, IMO.


Offline microsoft windows

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« Reply #98 on: Wed, 11 August 2010, 20:24:10 »
Quote from: patrickgeekhack;211486
Is mud crab used a lot in the US? I have not a big fan of crab meat. Raw oysters on the other hand....


What about mountain oysters?
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Offline microsoft windows

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« Reply #99 on: Wed, 11 August 2010, 20:25:19 »
Quote from: itlnstln;211489
I don't think I have ever had mud crab, although, I used to eat rock crab and blue crab a lot.  I have family in Galveston, TX, and they live on a canal that runs out to the Gulf.  We would drop crab traps into the canal in the morning and eat the crab that evening.  It's about the only benefit to living on the coast, IMO.


I don't know...I've never been much of a fish eater. However, if someone invented hamburger and steak traps...
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Offline patrickgeekhack

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« Reply #100 on: Wed, 11 August 2010, 20:36:28 »
Quote from: microsoft windows;211689
What about mountain oysters?


Never had before. But, I have eaten quite a bit of weird stuffs in my life, so I don't think it will a problem :-)

Offline microsoft windows

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« Reply #101 on: Wed, 11 August 2010, 20:38:06 »
I guess you don't know that they aren't really oysters. I won't tell you what they really are though. Let's just say it ain't forum-appropriate.
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Offline patrickgeekhack

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« Reply #102 on: Wed, 11 August 2010, 20:40:55 »
Quote from: microsoft windows;211699
I guess you don't know that they aren't really oysters. I won't tell you what they really are though. Let's just say it ain't forum-appropriate.


No, I do know. I checked what they were on the net before replying. Like I said, I have eaten some weird stuffs in my life.