Some of the 'imperfections' were a bit subtle to the uneducated eye,
I prefer to think she was joshing us, rather than that I ended up with the wrong one.
Still - as we all noticed, they were impossible to see and touch without envy and perhaps some other sins coming to mind - I can only hope that noko can balance her time, energy, materials, health, etc... as inevitably the demand for her work rises over time.
Accidentally intruding upon the instrument-maker in the warehouse, I was reminded of the story (it's short - I swear!) of the guitar-maker in the 70s who had his workflows analyzed professionally to see what he could do differently to increase production, save work, increase revenue, etc... Unfortunately, the main result and the consequences stemmed from producing more of the simplest pieces for more people to drive revenue, and consequently cutting out the interesting projects with all the time, effort and problems they spawned.
While the interesting projects were the motivating and fun ones for that artisan, fortunately, he was already well known and was not tight for cash at all so he was able to choose to follow nearly none of the advice of the consultant at all. He continued to operate with a horrible waiting time, but more or less give each customer precisely what they wanted, charging relatively fairly for labour and materials. This even generated a good balance of complex and simple work so that he could mull the fun issues, while working on some of the dull (but not overly trance-inducing) tasks on the simple pieces.
Custom, artisan work doesn't go 'out' the way other fads do, so I expect that long after keyboards have gone back to 'useful' rather than cool (not claiming obsolescence), there will be similar niches to tool up and have some fun with. I somewhat expect that this is as true for the key-casters, painters, restorers, and the rest of us as it is for leather.
Here's hoping you find that balance sooner, rather than later Noko.
dfj
PS: and I that I find a way to stop talking about people present in the third person. : P