Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
They are both broadcasting mics so yea, they are designed for live broadcasting but pretty versatile. I have used both for tracking kick drums as well and the RE20 makes for some pretty great vocals too. They are both dynamic mics however and I know you are leaning more toward condensers but I thought I would bring those two options up anyway.Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
No problem. I picked up the Focusrite Scarlett 2i4.
I would love to get those mics and I possibly will down the road. However, I can get the Blue Spark for under $200 while those mics would cost me significantly more. With the YouTube commentary I do, the Blue Spark should be more than adequate especially with the Focusrite pre-amps. After it is mixed, the performance difference would be marginal and difficult to justify the extra $150-$200. Besides, isn't the Shure SM7B more for live broadcasting? (serious question)
Is there a reason why you expect people to pay 75 dollars over retail on the Code?
Shipping is not 75 dollars. The product is not new its -like new-.
Brand new mint in box Code TKL with Clears is 150 dollars new from WASD's shop.
I dont mean to be rude, but your price is just entirely unreasonable.
Perhaps you should modify it to like 140 + shipping. (Or what you like, but something below retail would be nice?) This is classifieds it isnt vendors.
The price of the Shine 2 also seems a little high.
Is there a reason why you expect people to pay 75 dollars over retail on the Code?
Shipping is not 75 dollars. The product is not new its -like new-.
Brand new mint in box Code TKL with Clears is 150 dollars new from WASD's shop.
I dont mean to be rude, but your price is just entirely unreasonable.
Perhaps you should modify it to like 140 + shipping. (Or what you like, but something below retail would be nice?) This is classifieds it isnt vendors.
First, you are being rude. So whether you mean to be, isn't relevant.
Discussion in sale threads
All discussion in the Classifieds threads should be limited to direct questions regarding items for sale/trade, shipping & handling inquiries, or relevant polite and constructive comments about sellers (such as if you suspect a dishonest seller) and prices, and corresponding answers.
I wont sit here and read a keyboard dramatically overpriced without informing people. I'm sorry. I do have a bit of honor, and I wont see a fellow geekhacker who is less informed overpay to such a degree.
Call me old fashioned, but when something is re-sold in the classifieds, I assume its to either help out the seller, or a mutual exchange between two informed parties. If you want to list something 75-100 dollars over priced, I will provide a location where someone can purchase it for cheaper (Retail only). This is in the rules, and It is within my right to do so. At this time, your keyboard can be purchased brand new in a country where tax is 50% (Which is silly) and still be shipped internationally and you will still get it cheaper.
I believe that I may have been rude in suggesting a price, but I don't believe I was rude in helping out the community.
Good luck with your sale.
They are both broadcasting mics so yea, they are designed for live broadcasting but pretty versatile. I have used both for tracking kick drums as well and the RE20 makes for some pretty great vocals too. They are both dynamic mics however and I know you are leaning more toward condensers but I thought I would bring those two options up anyway.Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
No problem. I picked up the Focusrite Scarlett 2i4.
I would love to get those mics and I possibly will down the road. However, I can get the Blue Spark for under $200 while those mics would cost me significantly more. With the YouTube commentary I do, the Blue Spark should be more than adequate especially with the Focusrite pre-amps. After it is mixed, the performance difference would be marginal and difficult to justify the extra $150-$200. Besides, isn't the Shure SM7B more for live broadcasting? (serious question)
I don't think Kayla wasn't being rude at all, you just took his/her post very personally.Is there a reason why you expect people to pay 75 dollars over retail on the Code?
Shipping is not 75 dollars. The product is not new its -like new-.
Brand new mint in box Code TKL with Clears is 150 dollars new from WASD's shop.
I dont mean to be rude, but your price is just entirely unreasonable.
Perhaps you should modify it to like 140 + shipping. (Or what you like, but something below retail would be nice?) This is classifieds it isnt vendors.
First, you are being rude. So whether you mean to be, isn't relevant. Second, how do you know what I paid for the keyboard? Third, it is $150 + tax + shipping when it is IN STOCK on the WASD website. It is a keyboard with rare switches. In fact, I haven't seen a board with stock clears in stock in quite a while. Fourth, it is brand new. It was turned on to make sure it functioned to see if it needed to be RMA'd. That is brand new.
If you are serious about the keyboard and are willing to buy it if it is less money, then say so. If not, find someone else's thread to sabotage.
I have a few condenser mics also. One is a low end Studio Projects B1 large diaphragm mic and the other is a Shure SM81 (more of a directional cardioid mic) and it is my favorite one that I own. Pretty expensive but I plan on getting a second one for a stereo pair. Next on my list is a set of AKG 414 mics. I have expensive taste but I've used these microphones in studios that I've learned in and they are just so rugged, sound amazing and the adjustable polar patterns allow for so many stereo configurations that it's a no brainer choice for me.They are both broadcasting mics so yea, they are designed for live broadcasting but pretty versatile. I have used both for tracking kick drums as well and the RE20 makes for some pretty great vocals too. They are both dynamic mics however and I know you are leaning more toward condensers but I thought I would bring those two options up anyway.Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
No problem. I picked up the Focusrite Scarlett 2i4.
I would love to get those mics and I possibly will down the road. However, I can get the Blue Spark for under $200 while those mics would cost me significantly more. With the YouTube commentary I do, the Blue Spark should be more than adequate especially with the Focusrite pre-amps. After it is mixed, the performance difference would be marginal and difficult to justify the extra $150-$200. Besides, isn't the Shure SM7B more for live broadcasting? (serious question)
I got you. It's cool you brought them up. I'm always interested in discussing mics :P.
The thing I like best with condensers though is the compression and lows. I actually like the way it changes my voice slightly especially with the "focus filter" option on the Blue. The broadcast mics are great and extremely undervalued for instruments as I'm sure you agree. But that's because of how natural sounding they are and how true to life the audio it converts tends to be. That's why audio is so much fun. Because of how subjective it is. I've always wanted to try that Shure though. I'm sure (no pun intended) I'll get around to it. Once I'm done with new purchase euphoria and need something new to obsess over purchasing. :p
I have a few condenser mics also. One is a low end Studio Projects B1 large diaphragm mic and the other is a Shure SM81 (more of a directional cardioid mic) and it is my favorite one that I own. Pretty expensive but I plan on getting a second one for a stereo pair. Next on my list is a set of AKG 414 mics. I have expensive taste but I've used these microphones in studios that I've learned in and they are just so rugged, sound amazing and the adjustable polar patterns allow for so many stereo configurations that it's a no brainer choice for me.They are both broadcasting mics so yea, they are designed for live broadcasting but pretty versatile. I have used both for tracking kick drums as well and the RE20 makes for some pretty great vocals too. They are both dynamic mics however and I know you are leaning more toward condensers but I thought I would bring those two options up anyway.Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
No problem. I picked up the Focusrite Scarlett 2i4.
I would love to get those mics and I possibly will down the road. However, I can get the Blue Spark for under $200 while those mics would cost me significantly more. With the YouTube commentary I do, the Blue Spark should be more than adequate especially with the Focusrite pre-amps. After it is mixed, the performance difference would be marginal and difficult to justify the extra $150-$200. Besides, isn't the Shure SM7B more for live broadcasting? (serious question)
I got you. It's cool you brought them up. I'm always interested in discussing mics :P.
The thing I like best with condensers though is the compression and lows. I actually like the way it changes my voice slightly especially with the "focus filter" option on the Blue. The broadcast mics are great and extremely undervalued for instruments as I'm sure you agree. But that's because of how natural sounding they are and how true to life the audio it converts tends to be. That's why audio is so much fun. Because of how subjective it is. I've always wanted to try that Shure though. I'm sure (no pun intended) I'll get around to it. Once I'm done with new purchase euphoria and need something new to obsess over purchasing. :p
To keep your sales thread on topic, I created this recording gear thread. http://geekhack.org/index.php?topic=59393I have a few condenser mics also. One is a low end Studio Projects B1 large diaphragm mic and the other is a Shure SM81 (more of a directional cardioid mic) and it is my favorite one that I own. Pretty expensive but I plan on getting a second one for a stereo pair. Next on my list is a set of AKG 414 mics. I have expensive taste but I've used these microphones in studios that I've learned in and they are just so rugged, sound amazing and the adjustable polar patterns allow for so many stereo configurations that it's a no brainer choice for me.They are both broadcasting mics so yea, they are designed for live broadcasting but pretty versatile. I have used both for tracking kick drums as well and the RE20 makes for some pretty great vocals too. They are both dynamic mics however and I know you are leaning more toward condensers but I thought I would bring those two options up anyway.Not a sales related question, but what interface did you get? And if you are recording mostly commentary, have you considered the Electrovoice RE20? It's basically the industry standard in broadcasting. Or even the Shure SM7B?
No problem. I picked up the Focusrite Scarlett 2i4.
I would love to get those mics and I possibly will down the road. However, I can get the Blue Spark for under $200 while those mics would cost me significantly more. With the YouTube commentary I do, the Blue Spark should be more than adequate especially with the Focusrite pre-amps. After it is mixed, the performance difference would be marginal and difficult to justify the extra $150-$200. Besides, isn't the Shure SM7B more for live broadcasting? (serious question)
I got you. It's cool you brought them up. I'm always interested in discussing mics :P.
The thing I like best with condensers though is the compression and lows. I actually like the way it changes my voice slightly especially with the "focus filter" option on the Blue. The broadcast mics are great and extremely undervalued for instruments as I'm sure you agree. But that's because of how natural sounding they are and how true to life the audio it converts tends to be. That's why audio is so much fun. Because of how subjective it is. I've always wanted to try that Shure though. I'm sure (no pun intended) I'll get around to it. Once I'm done with new purchase euphoria and need something new to obsess over purchasing. :p
Wow, nice reference. Good luck with that. You making music? If so, got a link? I'd love to check it out.
If you're into headphones, I just picked up a pair of DT990 Pros for mixing and general fun. They are on sale for an UNBEATABLE price of $150 on Amazon right now. I'll let you know how they are for referencing though (they're in the mail).
Hopefully the focusrite headphone amp can drive the 250ohm until I can a tube amp that I've had my eyes on (the O2).
oh dang, just realized I watched your yt video on ducky vs filco a long time ago before I bought my first mech kb ;D
anyways, GLWS!
oh dang, just realized I watched your yt video on ducky vs filco a long time ago before I bought my first mech kb ;D
anyways, GLWS!
oh dang, just realized I watched your yt video on ducky vs filco a long time ago before I bought my first mech kb ;D
anyways, GLWS!oh dang, just realized I watched your yt video on ducky vs filco a long time ago before I bought my first mech kb ;DI ended up watching your video aswell. Nice job. Good quality. Its a shame you have not done more Keyboard or technology reviews.
anyways, GLWS!
Nice! I hope it helped. I haven't done a keyboard video in a while. I'll probably do one on the HHKB Type-S vs FC660C when it gets here.
I don't think Kayla wasn't being rude at all, you just took his/her post very personally.Is there a reason why you expect people to pay 75 dollars over retail on the Code?
Shipping is not 75 dollars. The product is not new its -like new-.
Brand new mint in box Code TKL with Clears is 150 dollars new from WASD's shop.
I dont mean to be rude, but your price is just entirely unreasonable.
Perhaps you should modify it to like 140 + shipping. (Or what you like, but something below retail would be nice?) This is classifieds it isnt vendors.
First, you are being rude. So whether you mean to be, isn't relevant. Second, how do you know what I paid for the keyboard? Third, it is $150 + tax + shipping when it is IN STOCK on the WASD website. It is a keyboard with rare switches. In fact, I haven't seen a board with stock clears in stock in quite a while. Fourth, it is brand new. It was turned on to make sure it functioned to see if it needed to be RMA'd. That is brand new.
If you are serious about the keyboard and are willing to buy it if it is less money, then say so. If not, find someone else's thread to sabotage.
A seller has every right to set the price they want, but I don't think Kayla calling you out on the large markup on a like-new board is rude, even in the way that was phrased :/
I'll take the Code. PM incoming...
I'll take the Code. PM incoming...
I got your payment and printed a label. Your package will be mailed out tomorrow morning.
Thanks man! :thumb:
not a duck mini
Ducky mini
huge difference
not a duck mini
Ducky mini
huge difference
+1
At first I thought it is Duckmini. Turns out it is Ducky mini.
Should change the title tho. :)
Does the Wii U come with the games pre-installed or are they physical?