Author Topic: post your instrument  (Read 30534 times)

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Offline gr1m

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post your instrument
« Reply #50 on: Fri, 30 July 2010, 14:22:13 »
Also, I got it at Steves, the Montreal branch. Pretty big music store up here in Canada.

Offline Oqsy

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« Reply #51 on: Fri, 30 July 2010, 17:47:19 »
I have been playing guitar for 15 years and only recently started using graphite on the nut.  It's ok, but not life-changing...  I've accepted that constantly tuning my guitars is going to be a part of playing guitar.  I *HATE* new strings because of the inherent tuning instability.  I usually string the guitar up with them a few steps below standard tuning, just enough tension to be able to put some strain on them, and then I stretch the *%$! out of them by pulling them straight out away from the neck starting at the middle of the neck and then working down toward the bridge, back across the middle, and up to the nut.  I probably make seven or eight passes on each string.  When I get done the strings are super floppy loose and nowhere near the tension they were at when I started.  Metal strings are bound to stretch and contract with even mild temperature fluctuations, so things like a floyd rose locking tremolo or other "in tune" tremolo systems are just gimmicks.  

Of my 4 electric guitars, the strat and jazzmaster have the factory tremolos, the telecaster was retrofitted with a bixby which was later removed because it was worthless due to the constant retuning after any use of the bar at all.  The fourth guitar, my VW First Act, is a true solid tail, and really is more fun to play due to the lessened tuning foibles.  All in all though, even acoustic guitars and hard tail electrics are going to require constant tuning and retuning because of the stretch put on the strings by playing, and the fluctuations in string temperature caused by the heat of your fingers on the strings.  

It's better to invest your money in a good tuner that's easy to use and precise (I like the Stimmung tuning approach because the tempering is ideal for open string guitar chords, search for the Stimmung tuners on iTunes App Store if you have an iDevice.  They're easy to use, VERY precise, and give you a guitar that sounds great on an open G chord, a C chord, an open E chord, or even a Bb barre chord rooted on the 6th fret.  Most tuners will put the open strings precisely on the frequency mathematically calculated for the required note.  While this sounds fine, Bach discovered a LONG time ago that notes perfectly in tune will sound sometimes sound off pitch when playing in combination with other notes.  Tempering is a way to try to tune that instrument to be as close as possible to the "ideal" mathematical pitches without causing the dissonances which make the chords sound unpleasant.  So by getting "pretty close" to those ideal pitches, but tuning around the discrepancies found in some of the more popular chords, you get the best of both worlds.  A guitar that sounds in tune with any other instrument tuned to A=440 but is tempered in a way that doesn't cause weird tuning problems (think about how often an open G string sounds out of tune with a chord but checks out perfectly on the tuner... MADDENING!  This method fixes that to the point that it's ALMOST undetectable)  

Anyway, I'm a bit obsessed with tuning and can't play a guitar for more than a few seconds if I get the warbling dissonance of being out of tune...  It just makes it sound like the person playing doesn't know how to play the right notes, even if they are.  If I hear someone playing out of tune I'm assuming they know nothing about their instrument or music even if they're far more technically skilled than me.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
"Private misfortunes make for public welfare."

Offline gr1m

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« Reply #52 on: Fri, 30 July 2010, 18:01:27 »
I'm far lazier with my tuning. I have a typical Korg tuning device that cost me around $10:


But I rarely use it. I tune my strings relative to the others. So I'm never in 440Hz but playing doesn't sound wrong (I also rarely play chord music). There are some riffs/licks that sound horrible even when tuning is a tiny bit off so I use those to get my guitar "practically" tuned before started my playing for the day.

Also, I don't know why but the bottom E string (physical bottom, so the thinnest string) always displays the strangest behavior when I'm putting a brand new one in. I can have it tuned perfectly and then it will "slip" and go ridiculously low and I have to tighten it back up again. And often this happens multiple times on the same new string (until it finally "settles down"). Is the string stretching?

And honestly I love how new strings sound. That fresh buzz that isn't exactly fret buzz but just new-string buzz. Mmmmm.

Offline itlnstln

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Re: post your instrument
« Reply #53 on: Fri, 30 July 2010, 18:01:39 »
Jesus, oqsy, have you been taking writing lessons from welly?

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Offline d4rkst4r

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« Reply #54 on: Fri, 30 July 2010, 18:14:39 »
Quote from: Oqsy;207898
Metal strings are bound to stretch and contract with even mild temperature fluctuations.


I would think the fluctuation in the wood of the instrument has a greater effect on string tension, no?

Quote from: Oqsy;207898

While this sounds fine, Bach discovered a LONG time ago that notes perfectly in tune will sound sometimes sound off pitch when playing in combination with other notes.


I've always suspected this. I just thought the intonation of the guitar was not quite perfect.
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Offline gr1m

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« Reply #55 on: Fri, 30 July 2010, 18:17:20 »
My friend who does gigs and shows has one of those Boss tuner pedals. Useful little things but yeah, I'd say they're not really worth it for bedroom jamming.

Offline TexasFlood

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« Reply #56 on: Fri, 30 July 2010, 18:38:18 »
I used to play but just haven't for some time.  Maybe should start again.
But probably need to upgrade my tuning equipment.

« Last Edit: Fri, 30 July 2010, 18:46:36 by TexasFlood »

Offline wellington1869

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« Reply #57 on: Fri, 30 July 2010, 19:45:00 »
here's what i use: Intelli IMT500 Clip-on Chromatic Digital Tuner for Strings, $15



you clip it on the guitar (electric or acoustic) and it senses the vibrations in the guitar to tell you when you're out of tune. Works surprisingly well. Convenient cuz you dont have to plug a cable into it nor does the room itself have to be quiet.

here's a good review

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Offline gr1m

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« Reply #58 on: Fri, 30 July 2010, 20:04:00 »
That actually is cool. Nice doing away with a plug-in tuner. I'll more than likely just buy an amp with a built-in tuner though. They aren't very uncommon these days and I'm getting so bored with my Blazer 158's **** sound that I really feel compelled to buy a better amp. Of course, if I find a great amp that doesn't have a tuner, I'll still buy the amp.

Offline gr1m

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« Reply #59 on: Fri, 30 July 2010, 20:11:31 »
Is there an all-encompassing guitar thread around? I'd like some amp recommendations actually, or at least to discuss my purchase with other people that play guitar, and I don't think it deserves it's own thread.

Or maybe I'll make a Guitar Chat thread?

Offline Oqsy

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« Reply #60 on: Fri, 30 July 2010, 20:12:31 »
well, actually welly and I have been spending a bit of time together on the forum over the last few days...  I'm not sure exactly what it would mean to write like welly, but I like Muppets and I like naps, so I'll take it as a compliment.  

gr1m:  what you're experiencing is very common for higher strings, but can happen to any string.  The issue is the size of the string, the size of the cutout in the nut, and the gradient of tension between the tuner side of the nut and the fretboard side of the nut.  The "popping" and immediate detuning is the string slipping inside the nut as the tension across the string equalizes. The next time you have a string that keeps doing that, do two things:

1.  use graphite or a similar product to relieve a bit of the friction at the nut so that the tension on either side of the nut can equalize.  This way when you increase the tension (and pitch) of the string, the string will move freely inside the nut so that you don't have tons of tension on one side and not as much on the other...

2.  loosen the string slightly (2-3 steps down, precision doesn't mean anything, just need the string a bit loose to keep from breaking it).  Pull the string out from the nut and ease the tension back up with the tuner peg until you're close to back in tune.  Now let the string fall back into the nut.

If this issue continues you might need to take your guitar to a trusted luthier or repair shop and have the slot for the high E string filed slightly to better accommodate the string gauge you're using.

Also, how many times does your string wrap around your tuning peg when ideally tuned?  The more excess length on a string that is wrapped around the tuning peg, the more unstable the tuning of the guitar.  The same principle of tension gradient across the nut applies to the string wound around the tuning peg.  There are **** tons of recommendations for how much string should be left on your guitar for ideal tuning, but I always go with 4-6 wraps around the tuning peg, MAXIMUM.  Cut them too short and you will have problems getting enough friction at the tuning peg to get the string to "grab".
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
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Offline Oqsy

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« Reply #61 on: Fri, 30 July 2010, 20:21:06 »
I highly recommend the Hot Rod DeVille 4x10 combo for anyone shopping for a gig or recording worthy amp with plenty of power and a gorgeous tube tone.  I've never understood fans of the 12" speaker for guitar amps.  The power and speaker excursion necessary to hit the "sweet spot" of the speakers is at a level so obnoxious that it defeats the purpose of finding the "sweet spot".  
A 4x12" speaker cabinet with a massively powerful head unit fits a *very* specific niche when it comes to volume vs. tone.  If you can't crank it up because it will overpower other instruments in a gig, then you lose any tonal advantages of the rig.  If you need THAT much volume, then most likely you're playing in a venue where the other instruments are coming through a PA, and at that point you're talking about putting a mic on the amp anyway, and then it's just as good to have a smaller, lighter, more unique amp with a nicer tone that can be boosted a bit in the mix if volume is an issue.  Recording is a no-brainer.  Why abuse your recording microphones with the high pressure sound waves coming out of a 4x12 cranked to 11 when you can get just as nice (or nicer) a tone with a smaller amp, and actually be able to adjust the mic input gain without over-saturation of the signal.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
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Offline gr1m

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« Reply #62 on: Fri, 30 July 2010, 20:22:33 »
I've had my bridge filed twice (if that's what you mean). When I first had this guitar, I used to break strings often because I used to use Ernie Ball Super Slinky strings (even lighter than normal gauge). After 2 filings, I went all "bro total h34vy m3t4localypse" and bought some real heavy gauge string (11-52s, lol) before becoming sensible and switching back to regular gauge (10-46) a year ago (after which I've had no problems breaking strings since).

I'll put some graphite on the nut. As for my strings, right now and like all the times I do a string change, most do not make a full rotation around the peg. Most make a half-rotation. When I'm done the tuning and my strings have stretched out after an hour or two of playing right after a string change, I cut the tips and leave about an inch coming out of the tuning peg.

4-6 wraps? How do you string your guitar? I poke the end through the tuning peg hole, pull the string as tight as I can with my hand and then start turning the tuning peg until the string "grabs". I have no idea if this is right or wrong.

Strangely, I have a friend who learns musical theory at my university and he doesn't even restring his own guitars. He takes it to a luthier for a $100 string change and general cleanup/checkup once a month AFAIK. He's very good and one of his professors has called him a "musical genius" apparently. You'd figure he'd re-string his own guitars.

Quote from: Oqsy;207932
I highly recommend the Hot Rod DeVille 4x10 combo for anyone shopping for a gig or recording worthy amp with plenty of power and a gorgeous tube tone.  I've never understood fans of the 12" speaker for guitar amps.  The power and speaker excursion necessary to hit the "sweet spot" of the speakers is at a level so obnoxious that it defeats the purpose of finding the "sweet spot".  
A 4x12" speaker cabinet with a massively powerful head unit fits a *very* specific niche when it comes to volume vs. tone.  If you can't crank it up because it will overpower other instruments in a gig, then you lose any tonal advantages of the rig.  If you need THAT much volume, then most likely you're playing in a venue where the other instruments are coming through a PA, and at that point you're talking about putting a mic on the amp anyway, and then it's just as good to have a smaller, lighter, more unique amp with a nicer tone that can be boosted a bit in the mix if volume is an issue.  Recording is a no-brainer.  Why abuse your recording microphones with the high pressure sound waves coming out of a 4x12 cranked to 11 when you can get just as nice (or nicer) a tone with a smaller amp, and actually be able to adjust the mic input gain without over-saturation of the signal.

Anyone I know that actually plays live gigs/shows buys the best small amp they can afford, instead of getting a mediocre stack. I don't know about tube amps though. Heavy as hell and I've been around when somebody dropped one. I'm not planning on dropping my amp anywhere but I like to play resting my feet on the amp and would prefer them not be filled with glass tubes. Also, how much does maintaining a tube amp cost? I.e., how often do you have to get new tubes, how much do they generally cost, etc.

I've heard hybrid amps (tube pre-amp) are decent and that's certainly the case with the only one I've used, the Vox Valvetronix XL (a special black version of the Valvetronix they stopped making a while back), but I don't want to make an impulse buy. I play my 15W solid-state amplifier with the volume knob generally between the quarter and the halfway mark, so I don't need a big tube amp at all. Do they have good 8W ones? Also, how many small tube combo amps have *****in' metal distortion like, say, Mesa Boogies?
« Last Edit: Fri, 30 July 2010, 20:27:58 by gr1m »

Offline Oqsy

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« Reply #63 on: Fri, 30 July 2010, 21:43:14 »
Oh... metal.  You're on your own.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
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Offline gr1m

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« Reply #64 on: Sat, 31 July 2010, 16:41:10 »


I've been thinking of picking one of these up. Not too expensive at $500 and apparently they have surprising build quality for the price. And I've always wanted to try a 7-string.

post your instrument
« Reply #65 on: Sat, 31 July 2010, 18:50:34 »
Here you go
Current collection: HHKB Pro 2 black on black, HHKB Pro 2 white/grey blank, [strike]Dell AT101W[/strike] (sold to SirClickAlot), 1992 Model M, Key Tronic Ergoforce KT 2001, BTC 5100 C. Dead boards: MS Natural Elite, MS Natural 4000.

Offline D-EJ915

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« Reply #66 on: Sat, 31 July 2010, 19:34:20 »
the necks on those Ibanez cheap models are awful imo but you might think it's okay, for that price I would get a used schecter hellraiser which has a giant fat neck but it won't make you want to kill yourself because it's like playing a board like the Ibanez is.
« Last Edit: Fri, 20 November 2020, 18:41:50 by D-EJ915 »

Offline gr1m

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« Reply #67 on: Sat, 31 July 2010, 19:49:21 »
That's an ESP Michael Amott guitar? Big Arch Enemy fan?

Offline D-EJ915

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« Reply #68 on: Sat, 31 July 2010, 22:03:41 »
not a big fan but it's a nice guitar.  have the maverick in drop-D, falcon in drop-Db and ninja in drop-C.  I might get a 7-string again for E and B stuff.
« Last Edit: Sat, 31 July 2010, 23:31:35 by D-EJ915 »

Offline didjamatic

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« Reply #69 on: Sat, 31 July 2010, 23:19:07 »
Here's my week-overdue-reply.  I hadn't read the thread.

Quote from: wellington1869;204624
wow, a didjeridoo. so do you actually play that thing?  And is that why you're 'didjamatic'?

Yes, they are a blast.  Once you learn to circular-breathe it's an amazing experience.  You can play for as long as you want without stopping the sound from the didj.  I don't play as often as I should.

I used to get branches from fallen cottonwoods, split and hollow them out, paint and sell them as well as teach people how to play.  They have it easy in AU where eucalyptus is hollowed out by termites. :)
IBM F :: IBM M :: Northgate :: Cherry G80 :: Realforce :: DAS 4

Offline Oqsy

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« Reply #70 on: Sun, 01 August 2010, 00:35:42 »
I could never learn how to circular breathe...  I tried for years in high school when I played saxophone.  It just wasn't happening.  Any tips? :P
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Offline Oqsy

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« Reply #71 on: Sun, 01 August 2010, 15:31:19 »
ripster I've never stolen before, but the pics of stuff you post makes me consider it :)

I could go to town on your legos alone, but keyboards, tube amps, nice guitars...  I think I have a guy crush on you.
[sigpic]Currently in use: Rosewill RK9000 and CH DT225[/sigpic]
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Offline wellington1869

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« Reply #72 on: Mon, 02 August 2010, 22:55:27 »
Here's the "instrument of my weight loss".



"Qah-pah!", she says when she strikes the ball, sounding like an angry Klingon. "Qah-pah!".

Though she also gave me a nasty case of tennis elbow (O-u-c-h), but I'm not holding it against her.

Paid about $200 for it 18 years ago (!) and she's still going strong. They still sell this line (for about $200). Stefan Edberg used this model for a few years. Sampras used the smaller 88 sq inch version. (This one is the normal 95 sq in).  Though thats not why I bought it of course. I demo-ed every racquet the store had and took my time with the selection process. Nothing like having it in your hands out on the court to know what you like and dont like (I guess my approach to keyboard selection was the same, lol).  I liked the balance and feel of this one instantly. The wicked cool color scheme certainly didnt hurt either.

This one was super-light at the time I bought it -- but the racquets they have out now are just incredibly light, like feathers.  I actually prefer at least some heft to it I think, I imagine it stabilizes my strokes a bit.  Or maybe i'm just attached to it sentimentally at this point. But for whatever reason I have no desire to replace it until it disintegrates.

Its served me well; back when I used to play in the 90's with it I was actually asked to be on my college varsity team :) Which was about the highlight of my tennis career (had to decline cuz of upcoming grad school). Nice to be asked though.  Ah the memories.
« Last Edit: Mon, 02 August 2010, 23:16:18 by wellington1869 »

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #73 on: Mon, 02 August 2010, 23:22:31 »
I had this little "baby marshall" for about 18 years too. I bought this after I sold a marshall half-stack that I owned in college. (A half stack that i had no business owning, was a royal pain to move around, could never turn it past "1" without everyone in the vicinity calling the police, and I didnt know what to do with all that power anyway - but man, it was cool to have in my room, lol).  But yea that was way overkill. So I overcompensated in the other direction and bought this tiny little thing.  

Solid state but an incredibly warm distortion sound out of it, perfect for Crazy Train. Finally sold it earlier this year. I had bought it used for about $100; sold it for $100 18 years later, lol. :)  Apparently there is a small fan-base out there for this baby marshall line from the 80s.

I read somewhere that ZZ Top recorded La Grange using one of these turned up all the way in the studio.




"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #74 on: Mon, 02 August 2010, 23:30:14 »
Quote from: gr1m;207933



I've heard hybrid amps (tube pre-amp) are decent and that's certainly the case with the only one I've used, the Vox Valvetronix XL (a special black version of the Valvetronix they stopped making a while back), but I don't want to make an impulse buy. I play my 15W solid-state amplifier with the volume knob generally between the quarter and the halfway mark, so I don't need a big tube amp at all. Do they have good 8W ones? Also, how many small tube combo amps have *****in' metal distortion like, say, Mesa Boogies?


i'd go with a hybrid amp too, if i were to buy one today. I'm a big fan of mesa boogie rectifier distortion, and seems like the hybrids do a decent job of replicating it these days. hell they even have hybrid headphone amps.  The zoom g7.1 has a tube preamp:



I'm a big fan of headphone amps for the sheer convenience. Small enough to carry around, great amp models and effects combined in one device, plugs right into computer for digital recording.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline gr1m

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« Reply #75 on: Mon, 02 August 2010, 23:54:56 »
Quote from: wellington1869;208595
i'd go with a hybrid amp too, if i were to buy one today. I'm a big fan of mesa boogie rectifier distortion, and seems like the hybrids do a decent job of replicating it these days. hell they even have hybrid headphone amps.  The zoom g7.1 has a tube preamp:

Show Image


I'm a big fan of headphone amps for the sheer convenience. Small enough to carry around, great amp models and effects combined in one device, plugs right into computer for digital recording.

Well I think that settles it. The Vox amp I was talking about is no longer in production, but a local store has the 30W version going for $150 because of a cosmetic defect (nothing more than a scratch). Since they aren't produced anymore and went for around $250-$300 new when they were still being produced, I think I should just go for it.

My friend wants to buy my acoustic guitar because he wants to play Gypsy Jazz so I'll likely get enough money to buy the amp from the sale. Also, nothing like a new amp to spice up your desire to keep playing. Plug a $3000 guitar in a bad amp and it'll sound like ****. I won't make the mistake of buying a bad amp again. Or so I hope.

Offline wellington1869

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« Reply #76 on: Tue, 03 August 2010, 00:10:39 »
sounds like a good idea! :)

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline DreymaR

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« Reply #77 on: Wed, 04 August 2010, 05:53:14 »
So hard to determine which one's the favourite, so here's my most recent acquisition instead:



A truly sweet little thing, and it doesn't cost much at all from Early Music Shop. Yay.
Better burden you cannot carry than man-wisdom much ~ Hávamál

Offline mr_a500

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« Reply #78 on: Wed, 04 August 2010, 07:58:50 »
Quote from: wellington1869;208575
Here's the "instrument of my weight loss".

Show Image


"Qah-pah!", she says when she strikes the ball, sounding like an angry Klingon. "Qah-pah!".



I hope she doesn't also look like an angry Klingon. :wink:

I've got the same racquet (smaller version), bought around the same time as yours. I like the balance weights on the sides, but sometimes they get in the way when slicing (and the ball leaves the court like a baseball player's home run). I agree about the light racquets. You need a bit of weight for a good hit.

Offline keyboardlover

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« Reply #79 on: Wed, 04 August 2010, 10:43:40 »
I like to play a bit of guitar and (sometimes) drums. Here's a photo (not mine) of my baby - a Martin D-35 (passed down from my Dad). It's an absolute dream to play:


Offline wellington1869

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« Reply #80 on: Wed, 04 August 2010, 10:50:41 »
Quote from: DreymaR;209012
So hard to determine which one's the favourite, so here's my most recent acquisition instead:

Show Image


A truly sweet little thing, and it doesn't cost much at all from Early Music Shop. Yay.


ah, the king of stringed instruments.  I knew a guy in undergrad who spent a semester building a harp from scratch. Being in engineering school at the time I was very jealous. But then again I'm pretty sure he was jobless when he graduated ;) Damn humanities kids.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline wellington1869

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« Reply #81 on: Wed, 04 August 2010, 10:56:08 »
Quote from: mr_a500;209027
I hope she doesn't also look like an angry Klingon. :wink:

I've got the same racquet (smaller version), bought around the same time as yours. I like the balance weights on the sides, but sometimes they get in the way when slicing (and the ball leaves the court like a baseball player's home run). I agree about the light racquets. You need a bit of weight for a good hit.


I actually found a bunch of forum threads on this model line in particular, there are real die-hard fans of it out there :)

I like the slightly head-light weight too, even tho my natural inclination is to be a baseliner. Which is why I was surprised at how well I took to this racquet (both edberg and sampras were serve-and-volleyers too). But I didnt like the head-heavy ones that I demo'd at the store (which are supposedly better for baseliners), and for whatever reason this one felt the best for my game. And I even charge the net with it sometimes :)

You get tons of control with it.  I strung it at 60 lbs (middle of the range) for my return-to-tennis party, but next year I'll drop it down to 58 (which, IIRC, is what I used to play at). Below that and it turns into a baseball bat.

"Blah blah blah grade school blah blah blah IBM PS/2s blah blah blah I like Model Ms." -- Kishy

using: ms 7000/Das 3

Offline patrickgeekhack

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My Pelikan M205 with custom Richard Binder's italic nib
« Reply #82 on: Sun, 08 August 2010, 11:59:56 »


I've been practising italic handwriting since April and have been getting very good at it. This was why I was not on geekhack.org a lot lately.

Offline Voixdelion

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« Reply #83 on: Mon, 09 August 2010, 18:49:04 »
Quote from: patrickgeekhack;210396

I've been practising italic handwriting since April and have been getting very good at it. This was why I was not on geekhack.org a lot lately.


accompanying sample of penmanship?
"The more you tolerate each other, the less enforcement will happen."-iMav

Offline patrickgeekhack

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« Reply #84 on: Mon, 09 August 2010, 19:34:39 »
Quote from: Voixdelion;210770
accompanying sample of penmanship?



This was  when I started practising italic handwriting at the end of May this year. Without boasting, I do think I have made a lot of progress since then. When I have some time, I'll write something and scan it. I am too busy with things around the house for now. I am a full-time employee, a part-student at U of Waterloo, and a father of a little girl who after 1.5 years still does not sleep through the night. During school terms, especially around exams time, I tend to set aside a long of things to do in between terms.

And this was my cursive handwriting back in April:
Again, I think I have made a lot of progress since then. I really started to get interested with fixing my handwriting around April this year. Just like with keyboards, finding the right pen, paper and ink combination is the key. Some people like a pen that writes on the dry side whereas some like a pen which write on the wet side. I prefer a wet pen.

The italic sample was writing with a Pelikan M205 with a custom ground nib. The cursive style was written with a Mabie Todd Swan L206/60 (circa 1950). The latter writes on the dry side. It took me some time to get used to it.

I would like to add that the world of fountain pen is like a world without limit. Fountain pen price can be ridiculously high. But boy do they provide a great sense of pleasure both to the writer and to the person the letter is addressed to. I like to write a note to my wife on special occasions or just for the sake of writing her a note. For this kind of situations, a keyboard, even the most expensive one, simply cannot replace a pen. Imagine receiving a nice handwritten on high quality paper in an equally high quality envelope sealed with burgundy wax...
« Last Edit: Mon, 09 August 2010, 19:50:10 by patrickgeekhack »

Offline Oqsy

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« Reply #85 on: Mon, 09 August 2010, 20:19:56 »
Buying a solid state Marshall is like buying an automatic Ferrari...  Hawhhyyyyyy?
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Offline EverythingIBM

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« Reply #86 on: Mon, 09 August 2010, 22:54:10 »
Quote from: patrickgeekhack;210780

And this was my cursive handwriting back in April:
Show Image
Again, I think I have made a lot of progress since then. I really started to get interested with fixing my handwriting around April this year. Just like with keyboards, finding the right pen, paper and ink combination is the key. Some people like a pen that writes on the dry side whereas some like a pen which write on the wet side. I prefer a wet pen.

The italic sample was writing with a Pelikan M205 with a custom ground nib. The cursive style was written with a Mabie Todd Swan L206/60 (circa 1950). The latter writes on the dry side. It took me some time to get used to it.

I would like to add that the world of fountain pen is like a world without limit. Fountain pen price can be ridiculously high. But boy do they provide a great sense of pleasure both to the writer and to the person the letter is addressed to. I like to write a note to my wife on special occasions or just for the sake of writing her a note. For this kind of situations, a keyboard, even the most expensive one, simply cannot replace a pen. Imagine receiving a nice handwritten on high quality paper in an equally high quality envelope sealed with burgundy wax...


I have to agree, there's something about calligraphy done by hand that just isn't the same as computer print. Very francy writing looks better than a printed sheet. And I've always wanted a fountain pen...

This amused me:
Quote
un [strike]crayon stylo[/strike] crayon ou un stylo...

I never liked the word "Stylo", probably all of those years in french class with the teachers screaming at me. Why is French mandatory in elementary again?
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Offline mr_a500

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« Reply #87 on: Tue, 10 August 2010, 08:41:55 »
Quote from: ripster;210826
I love Canadian accents.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

No, Really!  The ROFL guy really cracks me up.


Ironically, Canadians can't watch that video. I get a message saying it's not available for my country.

That's probably a Newfoundland accent. Most Canadians outside Newfoundland and the East Coast don't talk like that. The main "Canadian accent" sounds just like the "California accent" (...but not the "valley speak") - which is probably what allows Canadians to successfully infiltrate the American entertainment industry.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/YOUTUBE]
« Last Edit: Wed, 11 August 2010, 10:22:22 by mr_a500 »

Offline patrickgeekhack

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« Reply #88 on: Tue, 10 August 2010, 09:23:34 »
Quote from: EverythingIBM;210805
Why is French mandatory in elementary again?


I don't know. I did not grow up in Canada. However, I did grow up in a country where French was, and still is, madatory till the last two years of secondary school. In a way, not much different from Canada, but I would say that the level is higher where I grew up. I'm speaking of Ontario school though, not Québec schools.

Offline keyboardlover

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« Reply #89 on: Tue, 10 August 2010, 09:24:21 »
Quote from: Oqsy;210785
Buying a solid state Marshall is like buying an automatic Ferrari...  Hawhhyyyyyy?


Yea but it's a practice amp...I don't know anyone who's bought an all-tube 'practice amp'. The solid state ones sound fine, so what's the point in spending a lot of money on something that you'll never gig with?

Offline itlnstln

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« Reply #90 on: Tue, 10 August 2010, 09:37:14 »
The Lamborghini Murcielago is basically an automatic.  Racers prefer automatics because they shift faster.  Just sayin'.


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« Reply #91 on: Tue, 10 August 2010, 09:44:27 »
Quote from: itlnstln;210879
The Lamborghini Murcielago is basically an automatic.  Racers prefer automatics because they shift faster.  Just sayin'.


That's true. The modern automatic transmissions in most upscale and exotic cars are more efficient than their manual counterparts. The car you're referring to is sort of 'manumatic' - essentially a clutchless manual. The shifting in a clutchless manual is also much smoother.

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« Reply #92 on: Tue, 10 August 2010, 17:13:53 »
You guys would love my truck with the 3 speed manual on the column.
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Offline patrickgeekhack

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« Reply #93 on: Tue, 10 August 2010, 19:35:34 »
Quote from: ripster;210826
I love Canadian accents.

hl=en_US&fs=1">
hl=en_US&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385">[/youtube]

No, Really!  The ROFL guy really cracks me up.


I cannot watch video because content is not allowed in my country. My French will probably disappoint you since I did not grow up in Canada. My accent is closer to French accent than French Canadian. That said, I think it's a mistake to think that there is such a thing as a universal French Canadian accent for the accent differs from region to region. It's a fact in Quebec just like it's a fact in France where the accent of the South is different from the accent of the North. USA is not immune either.

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« Reply #94 on: Tue, 10 August 2010, 19:37:10 »
What about the New-Englander's? They're a funny bunch.
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Offline patrickgeekhack

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« Reply #95 on: Tue, 10 August 2010, 21:01:07 »
Quote from: microsoft windows;211172
What about the New-Englander's? They're a funny bunch.


Never had a chance to talk to one. I have, however, talked to someone from South Carolina on the phone. Very musical to my ears.

Offline patrickgeekhack

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« Reply #96 on: Wed, 11 August 2010, 13:55:46 »
Quote from: ripster;211211
Had a professor from University North Carolina over for dinner.  Also a nice accent.

We had Dungeness instead of Blue Crab.


Is mud crab used a lot in the US? I have not a big fan of crab meat. Raw oysters on the other hand....

Offline itlnstln

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« Reply #97 on: Wed, 11 August 2010, 14:01:40 »
I don't think I have ever had mud crab, although, I used to eat rock crab and blue crab a lot.  I have family in Galveston, TX, and they live on a canal that runs out to the Gulf.  We would drop crab traps into the canal in the morning and eat the crab that evening.  It's about the only benefit to living on the coast, IMO.


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« Reply #98 on: Wed, 11 August 2010, 20:24:10 »
Quote from: patrickgeekhack;211486
Is mud crab used a lot in the US? I have not a big fan of crab meat. Raw oysters on the other hand....


What about mountain oysters?
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« Reply #99 on: Wed, 11 August 2010, 20:25:19 »
Quote from: itlnstln;211489
I don't think I have ever had mud crab, although, I used to eat rock crab and blue crab a lot.  I have family in Galveston, TX, and they live on a canal that runs out to the Gulf.  We would drop crab traps into the canal in the morning and eat the crab that evening.  It's about the only benefit to living on the coast, IMO.


I don't know...I've never been much of a fish eater. However, if someone invented hamburger and steak traps...
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