Author Topic: Fairlight CMI's computer keyboard  (Read 1368 times)

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Offline Daniel Beardsmore

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Fairlight CMI's computer keyboard
« on: Sun, 13 March 2011, 12:38:01 »
See this video of the Fairlight CMI sample-based synthesizer:



One very curious keyboard there, both in look and sound. From the sound, is it possible to estimate what type of switch it may be using?

I like the fact that it sounds exceptionally metallic, instead of plastic.

(Although as rightly pointed out, the floppy drives steal the show. One of the huge mistakes with the Amiga 600 and 1200 was replacing the ultra-grindy floppy drive with a quiet one. Part of the joy of the Amiga was being entertained by the drive heads while your game loaded. Ditto 8-bit machines, except games on those only took a few seconds to load.)
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Offline kps

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Fairlight CMI's computer keyboard
« Reply #1 on: Sun, 13 March 2011, 13:18:36 »
Here:
Quote
The very solid alpha keyboard has a thick metal case. When powered, a relay provides a clicking sound when a key is pressed. The group of twelve keys to the right are the cursor keys, along with ADD, SUB, and SET. Farthest right is the RETURN key.

Offline Daniel Beardsmore

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Fairlight CMI's computer keyboard
« Reply #2 on: Sun, 13 March 2011, 16:10:24 »
Wow. I did not think anyone would ever take clicky keyboards that seriously, as to fit a powered clicker. The rubberdome must represent a deeper low than I had realised.
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Offline nathanscribe

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Fairlight CMI's computer keyboard
« Reply #3 on: Sun, 13 March 2011, 16:26:05 »
Mmm Fairlight.  One of the inventors has just put together an iPad app-alike.  A little cheaper than the original, a cool £20k or so back in '79 I think.  More than a house.  At least the box it came in was big enough to live in.

It used 8" disks, and was based on a machine called the Qasar M8 which booted from tape and had 4K of memory.  CMI took the guts and added eight voice cards, each of which sampled at 8-bit with 16K of RAM and 4K of control ROM.  Aside from sampling, you could draw waves on the screen with a lightpen and later on a simple sequencer was added, known as Page R.

Despite the expense, several acts used them back in the day - and despite it being a sampler, and therefore supposedly able to sound like anything, it's often pretty distinctive on the records in which it appears.

It was rapidly obsoleted by the appearance of cheaper machines like the EMU Emulator and, later, the Ensoniq Mirage, possibly the first sampler normal musicians could afford, as opposed to the studio-bought beasts of yore.

Great stuff.
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