the charm of vinyl is that it is VERY lossy.
Absolutely, utterly, 100% wrong.
Sound waves themselves, all musical instruments with the exception of synthesizers, including the human voice, loudspeakers, compression waves in air, and all components of the human ear itself are perfect examples of analog devices.
A sound wave is just that, a continuous analog string.
Any sort of digitization breaks up that string into chunks and sends it along.
I will gladly grant you that the digitized chunks may be smaller than a human ear can perceive, but the continuous wiggle of the needle in the groove is directly linked to the continuous wiggle of the sound being recorded.
fohat.. you are mistaken..
digitized content, when played back, fully reproduces the analogue waveform content that recorded.
this is a misconception among non-audiophiles..
"The Nyquist-Shannon sampling theory states that continuous-time (analog) signals and their corresponding discrete-time (digital) signals are
mathematically equivalent representations of any bandwidth-limited signal, provided the sample rate is higher than 2X the bandwidth. "
"Effectively, the ADC output sample values are interpreted as a series of points intersected by the waveform; the DAC
output is a smooth curve, not a stair-step at all. Additionally, modern ADC and DAC chips are engineered to reduce below the threshold of audibility, if not completely eliminate, any other sources of noise in this conversion process, resulting in an extremely high correlation between the input and output signals. "
"
Analog encoding has many measurable and
audible faults, potentially including
harmonic distortion,
noise and
intermodulation distortion. These distortions have
invariably measured higher than for digital formats, including CD.Tracking error is due to the use of
analog encoding with a stylus that contacts the medium, manifesting as
distortion and possibly also
cyclic wow with subsonic noise if the pressing is off center from the spindle hole.
Wow, flutter, footsteps and feedback are other errors due to the
transport mechanism and transducers used with vinyl.
Digital storage has none of these errors. ""
In any of these preceeding three use cases, digital is superior to analog at both mastering and end-user stages, and represents an advance in the total sound production signal path rather than simply storage improvement. "
"The dynamic range of vinyl, when evaluated as the ratio of a peak sinusoidal amplitude to the peak noise density at that sine wave frequency, is somewhere around 80 dB. Under theoretically ideal conditions, this could perhaps improve to 120 dB. The dynamic range of CDs, when evaluated on a frequency-dependent basis and performed with proper dithering and oversampling, is somewhere around 150 dB.
Under no legitimate circumstances will the dynamic range of vinyl ever exceed the dynamic range of CD, under any frequency, given the wide performance gap and the physical limitations of vinyl playback."
The fact that a PERSON may "PREFER" Vinyl falls under the "psycho-acoustic" genre.
http://wiki.hydrogenaudio.org/index.php?title=Myths_%28Vinyl%29